Catherine Howe: Sly virtuosity

Contributed by Sharon Butler / Calling Catherine Howe’s whirling, monochromic flower paintings “the pleasure garden” is archly ironic, like calling de Kooning’s early paintings “women.” Although her canvases outwardly do describe floral forms, their deeper meaning lies in the large, threatening scale, the aggressively fluid use of materials, and the evident physical energy that went into their making. … read more… “Catherine Howe: Sly virtuosity”

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