Robin Hill’s acts of unnaming

Contributed by Elizabeth Whalley / In a genre-defying practice, Robin Hill queries the nature of her sensory entanglements with the everyday world. Embracing a vast array of materials, playing with scale and dimensions, blurring modes of expression, she transforms her spontaneous encounters with substances and objects into mystifying, unnameable objects. Hill is a New York-based … read more… “Robin Hill’s acts of unnaming”

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Bobbie Oliver’s flood of associations

Contributed by Robin Hill / Stepping into Bobbie Oliver’s solo exhibition “Residuals” at High Noon triggers sensations of spaciousness, familiarity, and equanimity. Initially, the paintings invite narratives of how the residues of saturated, ultramarine pigment on canvas came to be, and to what genomes they belong — architecture, the body, the cosmos, the atmosphere, the petri dish? A flood … read more… “Bobbie Oliver’s flood of associations”

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Assembled but not resembling, at Patricia Sweetow

Contributed by Robin Hill / The works in “Assembled,” an absorbing three-person exhibition featuring Julia Couzens, Helen O’Leary, and Cornelia Schulz at Patricia Sweetow Gallery in San Francisco, are defiantly not about anything but are, rather, of many things (of fiber, wood, paint, wire, canvas), and have been realized through many actions (binding, wrapping, stuffing, leaning, interlocking, slathering, skimming, stitching, gluing). The works ask … read more… “Assembled but not resembling, at Patricia Sweetow”

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