The objectness of Rachael Gorchov

Contributed by Jason Andrew / There is a long history of artists expanding the objectness – that is, the sculptural dimension – of painting. Picasso and Braque introduced this concept in their assemblage works; Vladimir Tatlin broadened it in his “counter-reliefs” alongside Elsa von Freytag-Loringhoventhe, the “Dada Baroness”. For the Dadaists, breaking the picture plane … read more… “The objectness of Rachael Gorchov”

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