Venice Biennale: serious and smart

Kim Levin in The Brooklyn Rail: “So many skulls, tibia, ribcages, soldiers in uniform, mortally wounded dolls, and flocks of birds morphing into missiles or warplanes (the way skulls and bones morphed into picks and shovels during the Black Plague) haven’t been seen together in the art world since, well, the Dark Ages….Storr’s show may … read more… “Venice Biennale: serious and smart”

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Neo Rauch at the Met

Roberta Smith in the NYTimes: “Mr. Rauch’s dreams may be unlike any dreamed before, but they have not enabled him, as yet, to develop an individual style….The tendency of Mr. Rauch’s paintings to remain an assembly of more or less — or a lot less — interesting parts rather than resolving into convincing wholes is … read more… “Neo Rauch at the Met”

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Edward Hopper’s negative feng-shui

Peter Schjeldahl reviews the Edward Hopper retrospective at the Boston Museum of Fine Arts.“The scale of the paintings is indifferent, in the way of graphic art. Their drawing is graceless, their colors acrid, and their brushstrokes numb. Anti-Baroque, they are the same thing when looked at up close and when seen from afar. I believe … read more… “Edward Hopper’s negative feng-shui”

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