Tag: NY Times

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Gregory Amenoff: Radiant little pictures

In the NY Times Ken Johnson reviews Gregory Amenoff’s show at Alexandre. “In most of Mr. Amenoff’s easel-scale pictures, a large, mysterious form — botanical, geological or geometric — looms close against a distant vista. Color and contrasts of light and dark are pumped up to melodramatic effect. It’s as […]

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Craig Kauffman on paper

Craig Kauffman, said to be one of the most prominent and influential artists to have come out of the Los Angeles art scene of the 1960s, currently has a drawing retrospective at the Armory Center for the Arts in Pasadena. In a 2001 NY Times review of a show at […]

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Beatriz Milhazes: Culture eats culture

In the NY Times, Carol Kino profiles Brazilian painter Beatriz Milhazes, who currently has a show at James Cohan Gallery in Chelsea. “Beatriz Milhazes clearly considers herself a geometric abstractionist, those are hardly the first words that spring to mind when regarding her work. Squares often come laced with lines […]

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Roberta and Elizabeth, BFF

In the NY Times Roberta Smith calls Elizabeth Peyton’s portraits girly. “By fits and starts, this exhibition reveals the complicated fusion of the personal, the painterly and the Conceptual that informs Ms. Peyton’s work. Each image is a point on entwined strands of artistic or emotional growth, memorializing a relationship, […]

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Mary Heilmann: Not such a dumb girl

Mary Heilmann’s exhhibition at Zwirner & Wirth features paintings and works on paper from the last three decades. Heilmann draws inspiration from her own experience, including the Southern California surf culture of her childhood, the San Francisco beatnik era of her teen years, the punk and new wave music scenes […]

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NY TImes Art in Review: Loeb, Brown, Ackermann

“Damian Loeb: Synesthesia, Parataxic, Distortion, and the Shadow,” Acquavella, New York, NY. Through Oct. 7. Ken Johnson: “With its portentous Damien Hirst-like title, ‘Synesthesia, Parataxic Distortion, and the Shadow,’ it promises something more spectacular than the pleasant, conscientiously well made, illustrative paintings that make up this exhibition.Mr. Loeb produces what […]

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Why painters keep painting

In the NY Times Holland Cotter explains why Giorgio Morandi kept painting, even after his hands became shaky and his eyesight started to fail. “You might ask other artist-poets this question: Joseph Albers, say, or Paul Klee or Agnes Martin or a New York artist I know who sits down […]