The stories we choose to tell: “Fall Reveal” at MoMA

Contributed by Laurie Fendrich / The Museum of Modern Art’s “Fall Reveal” marks the second phase of the museum’s re-telling of the story of Modern Art (the first phase opened in October, 2019), and there are big changes. First, with its $450 million expansion adding 47,000 feet of exhibition space, this new MoMA is a … read more… “The stories we choose to tell: “Fall Reveal” at MoMA”

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Water Lilies Live!

Here’s Charlie Finch (sitting on a lily pad?) at the Monet preview last week (Courtesy NY Sun Out and About blog) For the first time since the MoMA expansion, Claude Monet’s water lily paintings will be on view. I remember the huge exhibition (80 pieces) at the Boston Museum of Fine Arts in 1998 that … read more… “Water Lilies Live!”

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Jerry Saltz’s special request

In 1991 I was the only woman in my graduate school class, so I have an inkling of what Mia Westerlund Roosen must have felt like among this group of guys; still I find the photo shocking. It was taken at the 25th Anniversary party of Leo Castelli Gallery in 1982. Standing left – right: … read more… “Jerry Saltz’s special request”


Martin Kippenberger shines at MoMA

I finally saw the remarkable Martin Kippenberger retrospective at MoMA yesterday, which is a must-see for anyone who doubts that the physical act of making objects holds meaning. “The career of the German artist Martin Kippenberger, who died in 1997 at 44, was a brief, bold, foot-to-the-floor episode of driving under the influence. What was … read more… “Martin Kippenberger shines at MoMA”

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Measuring Marlene Dumas

Roberta Smith on Marlene Dumas: “The consistency of this show suggests an artist who settled too early into a style that needs further development. Stasis is disguised by shifting among various charged subjects that communicate gravity in shorthand. Ms. Dumas’s painting is only superficially painterly. The photographic infrastructure is usually too close to the surface, … read more… “Measuring Marlene Dumas”


Miró Miró on the wall

The New Yorker’s Peter Schjeldahl on the Miró show at MoMA: “‘I want to assassinate painting,’ Joan Miró is reported to have said, in 1927. Four years later, the Catalan modern master elaborated, in an interview: ‘I intend to destroy, destroy everything that exists in painting. I have utter contempt for painting.’ (He is quoted, … read more… “Miró Miró on the wall”

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MoMA hires Ann Temkin as Chief Curator of Painting and Sculpture

In the NYTimes, Carol Vogel reports that the Museum of Modern Art has chosen one of its own curators, Ann Temkin, to succeed John Elderfield, who retired as chief curator of painting and sculpture in July. “Ms. Temkin said that one of her priorities would be to ‘change our viewers’ experience in many ways,’ especially … read more… “MoMA hires Ann Temkin as Chief Curator of Painting and Sculpture”

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Guston’s paint still looks wet

At MoMA, installed in the teeming atrium space, I was happy to see seven of Philip Guston’s cartoon paintings from the sixties and seventies. I agree with Village Voice critic RC Baker that the paintings look startlingly fresh. “Guston (1913–1980) began his career in the ’30s, with stolid scenes of Klansmen that combined Piero della … read more… “Guston’s paint still looks wet”

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Kirchner’s angular unhotties

I saw the Kirchner exhibition at MoMA yesterday, and found his use of jangly discordant color, combined with obsessively repetitive, diagonal brushstokes completely original and engaging. His daily practice involved drawing miles of linear, knotty pencil sketches, and the sketchbook display alone (he produced hundred of sketchbooks) is worth the trip. Here’s how Dan Bischoff … read more… “Kirchner’s angular unhotties”

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The tip of a psychic iceberg at MoMA

In the NY Times Ken Johnson declares that “Glossolalia: Languages of Drawing” is the most exciting exhibition of drawings the Museum of Modern Art has produced in years. “Organized by Connie Butler, the museum’s chief curator of drawings, it presents a delightfully unpredictable mix of about 100 works by two distinct groups: self-taught outsider artists … read more… “The tip of a psychic iceberg at MoMA”

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