Louis Cameron in St. Louis

In the St. Louis Post-Dispatch, David Bonetti writes that initially he thought Louis Cameron’s paintings were in league with the hard-edged geometric abstraction of Mondrian, Ellsworth Kelly, and Burgoyne Diller, but then realized his approach is more conceptual. “The works from his recent ‘Tiles’ series are composed of rectangles of double squares that remind you … read more… “Louis Cameron in St. Louis”

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