Tag: Laurie Fendrich

Fiction

Fiction: The Real, the Fake, and the Ugly

Contributed by Laurie Fendrich / What a mess. And today was doomsday. Eliza Netsua couldn’t get back to sleep, so she dragged herself out of bed at five a.m. Her loft, long ago a sewing sweatshop renovated only insofar as the splintery floors had been sanded and the walls slapped with multiple coats of white paint, was already hot and stuffy. A full-on August heat wave in New York. The gallery was closed for the month and, moreover, it was Monday, a day even she, the assistant director, wouldn’t ordinarily be working….

Gallery shows

The upstate line

“The Subject is The Line” at the Thompson Giroux Gallery in Chatham, New York, is a handsome, beautifully installed exhibition of the work of fourteen established artists.

Museum Exhibitions

Salman Toor: There’s a boy I know

By Laurie Fendrich / Critics have been lavish in their praise of the Brown, queer-themed figurative paintings by the Pakistani-born Brooklyn artist Salman Toor, currently on view in the Whitney Museum’s first-floor lobby gallery (free of charge to the public). And rightly so. Toor’s pictures touch the heart, and his […]

Film & Television

Art and TV: Professor T, an extraordinary burst of mind

Contributed by Laurie Fendrich / Boy did the otherwise on-the-mark Guardian television critic Lucy Mangan get it wrong. In her 2017 review of the Flemish detective series Professor T, she dismissed the show as “thin gruel” with “morsels pilfered from the greats” (by which she meant such television shows as House, Sherlock, Morse, and Monk). Moreover, she said, its humor is “lost in translation.” What? Did she watch the same show I did? Doth the woman not laugh and weep? Doth the woman not recognize tragicomedy? In short, how did she miss that Professor T is the best television series since The Singing Detective, the riveting 1987 miniseries starring Michael Gambon?

Uncategorized

Finding Esphyr Slobdokina

Contributed by Peter Plagens / When the annual The Armory Show art fair—which takes place on the piers on the Hudson River in New York—rolled around in 2008, the recession was in full swing. Dealers were scared, and bargains (on an art-collector scale of things, of course) were there for […]

Uncategorized

What good is abstract painting now?

Contributed by Laurie Fendrich / Without any bombs exploding or even a single shot fired, the world we knew before COVID has gone “poof.” Sure, buildings are intact; trees, grass and flowers still grow; the sky is blue; people walk on streets and drive cars. What’s disappeared, for who knows […]