Catherine Howe: Sly virtuosity

Contributed by Sharon Butler / Calling Catherine Howe’s whirling, monochromic flower paintings “the pleasure garden” is archly ironic, like calling de Kooning’s early paintings “women.” Although her canvases outwardly do describe floral forms, their deeper meaning lies in the large, threatening scale, the aggressively fluid use of materials, and the evident physical energy that went into their making. … read more… “Catherine Howe: Sly virtuosity”

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EJ Hauser: Innocence and wonder

Contributed by Sharon Butler / In her new painting exhibition “Barn Spirits” at Derek Eller, Brooklyn-based artist EJ Hauser features ungainly, diagram-like landscapes with flat, unmodulated color generated by way of a layered process that conjures screen-printing or crayon drawing. The new imagery, presentational rather than transformative, expands the substantially abstract visual language she introduced … read more… “EJ Hauser: Innocence and wonder”

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David Kapp and Robert Berlind interview Wolf Kahn in The Brooklyn Rail

“D.H. Lawrence said what was good about Moby Dick was that Melville didn’t really know what Moby Dick symbolized. He knew it was a symbol, but he didn’t know what it was a symbol of. In the same way, when you’re thinking about your own motivations and the meanings of your work, the less you … read more… “David Kapp and Robert Berlind interview Wolf Kahn in The Brooklyn Rail”

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