Tag: Jerry Saltz

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Jerry Saltz’s special request

In 1991 I was the only woman in my graduate school class, so I have an inkling of what Mia Westerlund Roosen must have felt like among this group of guys; still I find the photo shocking. It was taken at the 25th Anniversary party of Leo Castelli Gallery in […]

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The art world’s downmarket retreat

Last year, my first article published in The Brooklyn Rail examined how an impending art market “correction” might affect artists. “In a fairly typical scenario, the gallery an artist has worked diligently to cultivate, having been powered by the bull art market, doesn’t make the rent when it turns bearish. […]

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Why doesn’t activist art reflect our complex reality?

In New York, Jerry Saltz suggests that activist artists like Martha Rosler should stop recycling the well-worn tropes from the 1960s, move beyond the simplistic polarities of earlier political art, and begin to address our complex, contemporary reality with deeper insight and more nuance. “In the late sixties, Martha Rosler […]

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Wendy White: One more day

Tomorrow is the last day to see Wendy White’s show at Leo Koenig, Inc.–my apologies for not posting it sooner. White’s loud abstract language alludes to the bombardment of the everyday. Urban sprawl, space junk, graffiti, buried hazardous material, and the accumulation of refuse, punctuated by heavy black areas that […]

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Shafrazi uses two coats of paint

I’d be a negligent blogger if I didn’t applaud Jerry Saltz’s fabulous article title in this week’s New York,”Two Coats of Painting.” Saltz writes that Tony Shafrazi’s current show, “Who’s Afraid of Jasper Johns,” centers on a collaboration by the two impresario-organizers, gallerist Gavin Brown and artist Urs Fischer. “It […]

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Saltz your enthusiasm

On Monday, Cara Ober attended a Jerry Saltz lecture at MICA , and has posted the highlights at Bmoreart. “More like an episode of ‘Curb Your Enthusiasm’ than a lecture on art criticism, Saltz tormented and tickled the MICA crowd with a wicked glee, mocking art students good-naturedly and, ultimately, […]

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Saltz: Old is gold

In New York, Jerry Saltz writes that the art market bubble has enabled long-overlooked but hard-working artists to move a little closer to the limelight. “One of the good things about the supposedly evil art boom—setting aside for the moment the notion that it may be destabilizing right now— is […]

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Saltz asks: What’s MoMA’s problem with women?

In New York Magazine, Jerry Saltz asks why there isn’t more women’s work hanging in MoMA’s recently reshuffled permanent collection. “Not to sound like a broken record, but it has become bitterly clear that MoMA’s stubborn unwillingness to integrate more women into these galleries is not only a failure of […]