Churches draw on the spiritual inspiration of contemporary artists

Valerie Gladstone points out in the NYTimes Travel section: “As a wave of contemporary art installations is being unveiled in cathedrals, churches and chapels across Europe, religious spaces are once again becoming showcases for many artists. In the last year alone, the abstract Spanish artist Miguel Barceló completed a ceramic panorama for the St. Pere … read more… “Churches draw on the spiritual inspiration of contemporary artists”

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Neo Rauch at the Met

Roberta Smith in the NYTimes: “Mr. Rauch’s dreams may be unlike any dreamed before, but they have not enabled him, as yet, to develop an individual style….The tendency of Mr. Rauch’s paintings to remain an assembly of more or less — or a lot less — interesting parts rather than resolving into convincing wholes is … read more… “Neo Rauch at the Met”

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Anselm Keifer thinks énorme

Alan Riding looks at the artist chosen for the innaugural solo show at the Grand Palais in Paris. “Since moving to France in 1993, this German-born artist has turned his 50-acre property in Provence into a sprawling installation, with a former silk factory serving as his studio, and warehouses, greenhouses, towers and tunnels displaying his … read more… “Anselm Keifer thinks énorme”

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Jörg Immendorff dies of Lou Gehrig’s disease

According to Spiegel Online International, German painter Jörg Immendorff passed away today from complications related to a neurodegenerative disorder. He was among Germany’s most influential postwar artists. Read more.

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The inscrutable Sigmar Polke

In today’s NYTimes, Carol Vogel visits Polke in his Cologne studio before he ships his paintings to the Venice Biennale. As is always the case with his work, Mr. Polke said, the paintings for the biennale sprang from specific ideas yet evolved in mystical ways as he experimented. “This is the meeting point of ideas … read more… “The inscrutable Sigmar Polke”

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NYT art reviews: Markus Lüpertz & Martin Kippenberger

Roberta Smith looks at German paintings made with a wink and a sneer. “Painting may go in and out of fashion, but its many lifesaving graces always keep it afloat. One is its capacity for what might be called beautiful sarcasm, a sly self-parody while still looking good that is cultivated by many young painters … read more… “NYT art reviews: Markus Lüpertz & Martin Kippenberger”

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