Rouault’s comedy of errors

The current exhibition at the McMullen Museum of Art reveals Georges Rouault’s keen sense of disjunction, unintended consequences, and ironic reversals. This irony (a sometimes bitterly satirical one) was often glossed over by a conventional piety that suffused the interpretation and presentation of his work from the time of his death (1958) until the centenary … read more… “Rouault’s comedy of errors”

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The “touchingly strange” paintings of Georges Rouault

Michael Kimmelman reviews the Rouault exhibition in today’s NYTimes. “At one time Rouault’s reputation rivaled Matisse’s, and his clowns and prostitutes were as ubiquitously reproduced as Ben Shahn posters. He had retrospectives at the Museum of Modern Art in 1945 and 1953; when he died in 1958, at 87, the French government organized a state … read more… “The “touchingly strange” paintings of Georges Rouault”

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