Stephen Westfall has engaged with geometric abstraction in singularly rich and sophisticated ways for more than thirty years, never complacent but always considered. Last week, I had the opportunity to talk with him at Alexandre’s new Lower East Side space, where his work is on view through December 22.
Tag: geometric abstraction
Contributed by Sharon Butler / In the 1960s, Jack Tworkov began to feel as if he had taken Ab-Ex gestural abstraction as far as it could go without repeating himself. Reluctant to keep making paintings in which the once wild and expressive brushstroke would appear a predictable go-to move determined […]
Contributed by Sharon Butler / Richard Tuttle, who has lived in New Mexico since the late 1980s, recently got an expansive new studio on Mount Desert Island in Maine. Exchanging mesa views for a perch on the ocean, at the very edge of a country on the verge of a […]
Contributed by Stephen Maine/ On view at the University of Connecticut’s Contemporary Art Galleries through November 29 is “Constructed,” a lively exhibition of seventeen works by five distinguished midcareer painters whose handling of color—as a kind of visual armature—is inseparable from structure. The show’s curator, Museum Director Barry Rosenberg, calls […]
Contributed by Riad Miah / “Just Hold On,” the title of Gary Petersen’s second show at McKenzie Fine Arts on the Lower East Side, fits the arresting energy of his work, his playful palette, and the rich provenance of his geometric abstractions. Perhaps he is referring to the moment a person […]
The aim of this text, which was originally published as “Facts are Useless in Emergencies” in Peter Halley: Paintings of the 1980s The Catalogue Raisonne, is to provide an in-depth analysis of Peter Halley’s painting as it emerged during the 1980s. I engage Halley’s theoretical writing—which extends his visual language—while […]