Tag: film

Film & Television

Art and Film: Casimir Nozkowski’s Brooklyn

Contributed by Jonathan Stevenson / The Outside Story, writer-director Casimir Nozkowski’s agreeable feature debut, shapes up as a fairly typical indie shaggy-dog story: a mildly dissolute creative type finds himself in a mildly humorous jam that resolves itself over the course of the film in a mildly heartwarming way, preferably […]

Film & Television

Poetic Pursuits: The Truffle Hunters

Contributed by Paul D’Agostino / A few foragers gathered in a middle-grounded clearing in a forest, conversing casually as their dogs sniff and shuffle excitedly at their feet. A man in a tub in a cream-of-pink tiled bathroom scrubbing his soap-cloaked pup as he bathes himself. A lone walker in […]

Film & Television

Art and Film: Ursa meta

Contributed by Jonathan Stevenson / These times demand both mordant humor and serious contemplation, which helps explain the prevalence of meticulously packaged black comedies in cinema. Two prominent and very good ones that come to mind are Emerald Fennell’s Promising Young Woman, a diamond-hard dissection of the extended kill-chain of […]

Film & Television

Art and Film: A subdued Top Ten in 2020

Contributed by Jonathan Stevenson / By the most salient political parameters – governance, public health, the rule of law – 2020 was one of the worst years in living memory. Hobbled by Covid-19, art overall seemed commensurately downbeat, but also pensively defiant. In cinema, if a dominant theme emerged, it […]

Film & Television

Art and Film: Men of wealth and taste

Contributed by Jonathan Stevenson / Charles Willeford – Guthrie-esque hobo, World War II hero, pulp-fiction genius – was one of the best crime writers of his generation, influential yet under-appreciated. Among his many books, Cockfighter became a cult-classic film starring Warren Oates, Miami Blues a quirky eighties jaunt with Alec […]

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Art and Film: DIY festival for readers who miss NYC

Contributed by Jonathan Stevenson / Even deprived of movie houses, cinephiles abhor a vacuum. Criterion may be their readiest source for a themed set of noteworthy films or the center-cut of an auteur’s oeuvre. Another option is to pan the metaphorical stream of mostly indifferent content for nuggets of gold. […]

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Art and Film: In the zone

Contributed by Jonathan Stevenson / In 1959, at the height of the Cold War, Rod Serling trademarked the creeping alteration of reality as a feature of post-Golden Age television with the advent of The Twilight Zone. Introducing the series premier in his intense nasal baritone – unique yet perpetually mimicked […]

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Art and Film: Claustrophobia

Contributed by Jonathan Stevenson / People in lockdown on account of a pervasive but invisible biological enemy might be perversely drawn to movies broadly about pandemics, like Steven Soderbergh’s coolly wise Contagion (2011), Alfonso Cuarón’s elegantly melancholy Children of Men (2006), or the rather silly but occasionally unnerving Outbreak (1995). […]

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Art and Film: Surviving the Oscars

Contributed by Jonathan Stevenson / Martin Scorsese directed what was probably the best American movie of the year – The Irishman – and it garnered not a single Academy Award despite ten nominations. The film’s Netflix backing and correspondingly enervated theater release annoyed key players in the Academy and appeared to doom […]