Contributed by Sangram Majumdar / I have known Gideon Bok’s paintings from before I knew Gideon. Like many of his musical idols, he has an unusual cult following that eagerly awaits the twists and turns in his work, which manages to maintain a thematic focus while, at the same time, finding new territory to explore. … read more… “Interview with Gideon Bok: “The color I see””
Tag: figurative
Susan Rothenberg: Hope and discontent
Contributed by Sharon Butler / Susan Rothenberg’s invariably forceful and confident paintings have a beguiling twitchiness, created out of layers of agitated brushwork from a restless hand. In her latest solo at Sperone Westwater, she continues to embrace a non-serial approach, presenting paintings and drawings of various objects and animals she encounters in everyday life. … read more… “Susan Rothenberg: Hope and discontent”
Amanda Church: The contemporary gaze
Contributed by Adam Simon / One of the under-appreciated aspects of art viewing is the way that a given work establishes a certain relationship with a viewer. Mark Rothko famously claimed that “lots of people break down and cry when confronted with my pictures.” He may have been trying to fend off a formalist reading … read more… “Amanda Church: The contemporary gaze”
William Powhida’s inquisition
Contributed by Jonathan Stevenson / For a while it looked as though William Powhida might be painting himself into an existential corner. His mission was to sensitize his audience to the hypocritical churn of the art market – to the reality that what made producing something putatively nobler and loftier than money viable was in fact … read more… “William Powhida’s inquisition”
Caroline Wells Chandler: Pied Piper of weirdness
Contributed by Jennifer Coates / I met Caroline Wells Chandler when he was an MFA student at Yale, and we immediately connected in a lunatic mind-meld way. Together, our imaginations sparked, and last year we collaborated on “Electric Mayhem,” a two-person exhibition at Crush Curatorial inspired by the band on The Muppet Show. For his current solo at Mrs., on … read more… “Caroline Wells Chandler: Pied Piper of weirdness”
Emilia Olsen: Visions of paint and flesh
Contributed by Katie Hector / Emilia Olsen’s paintings, on view in “There is Another Sky” at Arts + Leisure through May 12, spark curiosity. Channeling vulnerability through evocative subject matter, the artist leads viewers down a rabbit hole in pursuit of a mysterious female figure who meanders in and out of the picture plane. The woman, her face … read more… “Emilia Olsen: Visions of paint and flesh”
Interview: Delphine Hennelly at Carvalho Park
Contributed by Sangram Majumdar / A few weeks ago, on a crisp Sunday afternoon, I met Delphine Hennelly at Carvalho Park where her paintings are on display in “History Lessons,” a two-person show that includes woven pieces by Mimi Jung. We talked about the performative nature of painting, the importance of open narratives, and how, sometimes, … read more… “Interview: Delphine Hennelly at Carvalho Park”
Vincent Desiderio: Painting as a theoretical vanguard
Contributed by Barbara Kerstetter / Vincent Desiderio is a powerful, unique voice in the contemporary art world. His paintings have commanded an international following for more than two decades. Born in Philadelphia in 1955, Desiderio graduated from Haverford College, where he studied painting and art history. Today he is a senior critic at the New York Academy of Art and … read more… “Vincent Desiderio: Painting as a theoretical vanguard”
Dana Schutz, jogging alongside the train wreck
Contributed by Zach Seeger / In her new work on view at Petzel through February 23, Dana Schutz finds herself wielding the brush of post recession rapture painting, a condition of exhaustive, Beckett-like inevitability where the steady drip of bad news informs our social media feeds. She imagines the world outside her studio, empathizing with the toilers of pathological banality while depicting … read more… “Dana Schutz, jogging alongside the train wreck”
Farley Aguilar’s screamingly urgent figurative paintings
Contributed by Sharon Butler / Farley Aguilar’s paintings, on view at Lyles & King, are based on vintage photographs of 1920s and ‘30s seaside beauty pageants and images of female Nazi collaborators having their heads shaved after World War II. The contrast is jarring at first but fits into an insightfully integrated sense of powerlessness … read more… “Farley Aguilar’s screamingly urgent figurative paintings”