Tag: fiction

Fiction

Fiction: The Real, the Fake, and the Ugly

Contributed by Laurie Fendrich / What a mess. And today was doomsday. Eliza Netsua couldn’t get back to sleep, so she dragged herself out of bed at five a.m. Her loft, long ago a sewing sweatshop renovated only insofar as the splintery floors had been sanded and the walls slapped with multiple coats of white paint, was already hot and stuffy. A full-on August heat wave in New York. The gallery was closed for the month and, moreover, it was Monday, a day even she, the assistant director, wouldn’t ordinarily be working….

Gallery shows Ideas & Influences

Fiction (and curatorial statement): THEY’RE MADE OUT OF MEAT

The following short story, “They’re Made Out of Meat,” was written by sci-fi writer Terry Bisson and published in Omni Magazine in 1990. An archly bizarre tale in which two higher-order extraterrestrials marvel at the fact that humans are composed of flesh and blood, it is the inspiration for an exhibition curated by Jennifer Coates at Platform Project Space. […]

Summer Reading

Fiction: The Western Tailor [Shubha Sunder]

Contributed by Shubha Sunder / At seven o’clock Ramesh turns off the sewing machine, slings his leather bag over his shoulder, and says his customary good-bye to his boss, Parul. Usually he walks straight home after work, but tonight he crosses the street and hides behind an old tamarind tree. From […]

Summer Reading

Fiction: Brooklyn Bento Box [Ara Tucker]

This week Ara Tucker, a graduate of Princeton University’s Art History and Visual Arts program and an alumna of the Bread Loaf Writers’ Conference contributes “Brooklyn Bento Box,” a story about an artist preparing for an upcoming collaborative exhibition with her precocious adopted daughter Vabeh, a “a plucky bi-racial orphan” whose work is already being collected by the […]

Summer Reading

Fiction: The Square Drawing [Laurie Fendrich]

Today marks the beginning of the Two Coats of Paint fiction column, a special summer section featuring short stories about artists, collectors, galleries, and other matters centered in the art world. Laurie Fendrich has contributed the first story, which is about a drawing that goes missing. NOTE: If you would like to  submit a short […]

Uncategorized

Fiction: Light [Rand Richards Cooper]

FOR THIS EDITION of the summer fiction column, my old friend Rand Richards Cooper has contributed “Light,” a poignant story  published in Big as Life, his 1996 collection of short fiction. In “Light” Cooper imagines reconnecting with our old high school art teacher. –SB

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Fiction: Consummate Saturday [Paul D’Agostino]

“Consummate Saturday” A short story by Paul Da’Agostino Mina’s fourth and final bout of existence-racking pre-febrile dry heaves terminated at 4:37 on Saturday morning amid the mildew stains, strewn magazines and pubic squalor that adorned Davis’s loathsomely uncivil shared bathroom in a three-bedroom flat. Her supposedly latent and as-yet-undefined illness […]

Summer Reading

Fiction: The Teddy Bears [Laurie Fendrich]

Our second installment of summer fiction is “The Teddy Bears,” an amusing short story written by artist and arts writer Laurie Fendrich  about a mid-career artist whose gallery closes unexpectedly. The story is loosely inspired by the one we posted last week, “The Unknown Masterpiece” by Honoré de Balzac. Fendrich thinks of “The Teddy Bears”  as a […]

Fiction

Fiction: The Unknown Masterpiece [Honore De Balzac]

Today marks the beginning of the Two Coats of Paint fiction column, a special summer section featuring short stories about artists, collectors, galleries, and other matters centered in the art world. To kick the series off, we present Balzac’s classic, “The Unknown Masterpiece.” Originally published in 1837 and set in the 1600s, the story is about an […]

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Art and Fiction: Petrushevskaya and the painter’s whirl

Contributed by Jonathan Stevenson / If they are successful, artists transport those who view their work to a different visual and psychic environment that nonetheless bears some crucial familiarity to the objective one that most people consciously share. The overlapping frames of reference enable critics, artists, and others to talk […]