“All power to the hardboiled intellect”

Peter Schjeldahl writes about the Color Chart show at MoMA: “Predominant are attitudes of ironic detachment that derive from Marcel Duchamp, whose rebuslike canvas of 1918, “Tu m’,” with its represented commercial color samples, begins the show. Is it outlandish—a reductio ad absurdum of the Duchampian, even—to regard color, the most emotionally affecting of visual … read more… ““All power to the hardboiled intellect””

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