In Harms’ way

Old painting pal Sadko Hadzihasanovic and I once decided that a painter can have good paint-handling and bad drawing, or good drawing and bad paint-handling, but bad drawing and bad paint-handling is a formula for, well, truly bad painting. Bendix Harms, in his second solo show at Anton Kerns, wants to prove otherwise. Despite Harms’ … read more… “In Harms’ way”

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