Art and Film: 2019 Top Ten

Contributed by Jonathan Stevenson / It’s been a fine year for movies, their demise due to streaming having been greatly exaggerated notwithstanding awkward episodes like the theatrical release of Netflix-backed The Irishman. Here is my inexorably subjective and eminently debatable list of the Top Ten dramatic films of 2019. The Irishman. Still the king of the … read more… “Art and Film: 2019 Top Ten”

No Comments

Art and Film: Rogue plant

Contributed by Jonathan Stevenson / The political ascent of Donald Trump and others like him has produced a glut of ominous allegories, and Austrian director Jessica Hausner’s mesmerizing film Little Joe may be the richest yet. With an unabashed nod to Invasion of the Body Snatchers (all three versions), the story’s contours are obvious, but … read more… “Art and Film: Rogue plant”

No Comments

Art and Film: Joker is the wrong movie

Contributed by Jonathan Stevenson / Joker, Todd Phillips’ tensely anticipated origin story of the Batman villain that grossed $96 million in its first weekend, self-consciously presents as Taxi Driver meets The King of Comedy, and a kind of atavistic essay on the perils of inequality and the dominance of the one percent. Like many high-concept films, however, … read more… “Art and Film: Joker is the wrong movie”

2 Comments

Art and Film: Issa López’s fierce children

Contributed by Jonathan Stevenson / Mike Kelley, the late conceptual artist, famously cast stuffed animals both as children’s escape hatches from worldly nastiness and as the potential tools of their nefarious seducers or demons. Writer-director Issa López maintains this duality in Tigers Are Not Afraid, a film of stunning inventiveness, brutality, and compassion. Presented as the … read more… “Art and Film: Issa López’s fierce children”

No Comments

Art and Film: Claire Denis’ cosmic noir

Contributed by Jonathan Stevenson / Claire Denis’ stupefyingly smart film High Life, the first she has directed in English, starts ahead of its main events, without any set-piece exposition, in and around a barren spacecraft inhabited by a father, his baby daughter, and zippered corpses that used to compose the rest of the crew. Robert … read more… “Art and Film: Claire Denis’ cosmic noir”

No Comments