Award-winning NYC blogazine, primarily about painting
Saturday, February 27, 2021
Contributed by Sharon Butler / Walking into Michelle Vaughan’s show at Theodore:Art, visitors are confronted with a small oak bookcase, desk, and chair in the center of the gallery. The walls are lined with forty framed portraits of notable conservative women, meticulously rendered in faded pastels on gray paper, that […]
Contributed by Jonathan Stevenson / France produces some superb television, but you could be forgiven for entertaining skepticism about L’Art du Crime, which at first blush scans as one extended meet-cute: a tough, dyspeptic, and uncultured flic is in the doghouse and gets assigned to the “cultural property” investigative unit […]
Contributed by Patrick Neal / I’ve been thinking a lot about the work of photographer Jan Groover. This started a few months ago when the artist and critic David Ambrose mentioned her, and I learned she had been a long-term faculty member at SUNY Purchase and teacher of the wildly […]
Contributed by Sangram Majumdar / I have known Gideon Bok’s paintings from before I knew Gideon. Like many of his musical idols, he has an unusual cult following that eagerly awaits the twists and turns in his work, which manages to maintain a thematic focus while, at the same time, […]
Contributed by Sangram Majumdar / Recently, I have been admiring the images of Meghan Brady’s large-scale works on paper that she’s been posting on Instagram. The images prompted me to revisit the narrative I had arrived at about her work, and to investigate further. So, on the occasion of her […]
Contributed by Rachel Youens / I recently visited Larry Greenberg at his gallery Studio 10, which he has turned into his own studio space since the pandemic hit, allowing him to focus on his painting practice with renewed commitment. For several years Studio 10, at 56 Bogart Street in Bushwick, […]
Contributed by Susan Bee / The early paintings of Marc Chagall are a recent inspiration. It’s a strange turn. For years I thought I disliked his work, especially the late paintings: too saccharine and repetitious. But I became enamored by his early efforts when I saw Chagall, Lissitzky, Malevich: The […]
Contributed by Zach Seeger / Kristen Mills’s “Believability” is a richly constructed, well-meaning, humorous-but-not installation of videos, sculpted environments, and cacophonous formal musings on the difficulty of personal and professional perseverance in an uncertain time. Just prior to our current collective crises came a burgeoning Chicago Imagist-inspired painting moment, formal […]
Contributed by Benito Esquenazi / In the twenty years that I was not painting I maintained a connection to my creative process by drawing and seeing art. One does not choose to be an artist. One is. I paused my painting practice in 1995. By then I had three kids. […]
Andrew Zarou’s particular beat
Andrew Zarou, under the rhodondendron 2021, flashe on unprimed linen, 16 x 12 inches
Contributed by Ben Pritchard / Andrew Zarou’s compelling exhibition at The Painting Center is resonant of the ...
Two Coats Selected Gallery Guide: February 2021
Microscope: Yasue Maetake, Transmutations, installation view
This month Two Coats of Paint is unveiling a site redesign (big thanks to Heather Bause Rubinstein for the encouragement and technical support), which includes ...
Medrie MacPhee, David Humphrey, and the power of recognition
Medrie MacPhee (back wall) and David Humphrey (front wall) at the New York Studio School. Installation view.
Contributed by Jonathan Stevenson / In the 1940s, Philip Guston noted that the ...
Martin Kline: Tempered by discipline
Martin Kline, Back From Venice (II), 2019, encaustic and oil on panel, 42 x 42 x 2 3/4 inches
Contributed by Sharon Butler / Martin Kline’s meticulous and thoughtful abstractions, on ...
Tula x Yuko Nishikawa: Designing life within a shell
Contributed by Emma Stolarski / Plant life is one of nature’s masterpieces. Botanical beauty, medicine, and ecological systems are integrated in every part of our lives, whether we think about ...
Scott Daniel Ellison: “Every artist is in some way self-taught”
Scott Daniel Ellison's images of flora and fauna are suffused with personhood--trees wave bony limbs, bats have human faces, and animals wear jewelry. Working at a small scale and focusing ...
Spencer Lewis’s mesmerizing formlessness
Spencer Lewis: Six Jutes (2) installation at Harper’s Chelsea. (All photos courtesy of Harper’s Chelsea).
Contributed by Patrick Neal / Spencer Lewis’s large, colorful, gestural abstractions, on view at Harper’s Chelsea ...
The “whorish porous” in the work of Angela Dufresne
Angela Dufresne, installation view at Yossi Milo
Contributed by Andrew Woolbright / Angela Dufresne’s dual shows at Yossi Milo Gallery and M+B Los Angeles provide an opportunity to assess the full ...
Art and Film: Painter-Spy in Bridge of Spies
Contributed by Jonathan Stevenson / Bridge of Spies begins and ends with a painting. Steven Spielberg’s latest film is a penetrating and affecting consideration of the Cold War, based on ...
What good is abstract painting now?
Laurie Fendrich's new studio in Connecticut
Contributed by Laurie Fendrich / Without any bombs exploding or even a single shot fired, the world we knew before COVID has gone “poof.” Sure ...