Award-winning NYC blogazine, primarily about painting
Saturday, February 27, 2021
Contributed by Elisabeth Condon / I’ve been stalking Deborah Brown’s paintings on Instagram, excited about a new series of still lifes. As far as I can tell they originated with #selfportraitwithzeusandpeacockscreen, posted on August 3rd. The painting features dramatic black and white, pushes color out to the sides and flings […]
Contributed by Sharon Butler / Danielle Dimston’s sublime watercolor images have an ethereal, other-worldly quality, as if they were the visual manifestations of a deeply meditative state. In her exhibition at Municipal Bonds, much of the work, spanning the last twelve years, focuses on creating the illusion of light through […]
Contributed by Heather Bause Rubinstein / I left New York in January of 2020 and sublet my studio with plans to return in April. I repeat this pattern of coming and going every spring term to teach in Houston alongside my spouse, art critic and poet Raphael Rubinstein. As before, […]
Contributed by Kari Adelaide Razdow / Now on view as part of the deCordova Museum’s “Visionary New England” exhibition, Josephine Halvorson’s lyrical yet meticulous oil paintings employ no masquerade of myth. Rather, they are documentations of nature that meld history, self, and place. Her intense practice centers on painting chosen […]
Contributed by Paul Laster / A painter of poetic pictures, Sylvia Naimark explores the enigmatic realm of the imperceptible in her otherworldly works on canvas and wood at Nancy Margolis Gallery. Working in a mutable manner, which she aptly calls “intuitive yet controlled,” the Swedish artist makes shadowy paintings that […]
December 2020 has finally arrived — the last month of a year that seemed as though it would never end. At Two Coats of Paint, that means I am in the middle of the year-end fundraising campaign. Membership, subscription — call it what you will — it’s your tax-deductible contributions […]
Contributed by Robin Hill / Our personal narratives are inextricably entwined with what the philosopher Gaston Bachelard refers to as The Poetics of Space. His work contemplates the spaciousness of consciousness one experiences in relation to architectural space, real or imagined, and the indispensability of shelter to life. Without shelter, we […]
Contributed by Rebecca Chace / Julie Heffernan is primarily known for her large-scale figurative paintings that seamlessly merge a rococo sensibility with contemporary content. Since “Hunter Gatherer,” her 2018 solo show at PPOW in New York, she has been working on her first graphic novel, fusing drawing with memoir and […]
Contributed by Laurie Fendrich / The Museum of Modern Art’s “Fall Reveal” marks the second phase of the museum’s re-telling of the story of Modern Art (the first phase opened in October, 2019), and there are big changes. First, with its $450 million expansion adding 47,000 feet of exhibition space, […]
Contributed by Jonathan Stevenson / The clash between Donald Trump’s nascent fascism and America’s liberal traditions, brought to a head by the murder of George Floyd and its aftermath and exacerbated by the Covid-19 pandemic, made the 2020 election the most important one since Abraham Lincoln prevailed in 1860. In […]
Andrew Zarou’s particular beat
Andrew Zarou, under the rhodondendron 2021, flashe on unprimed linen, 16 x 12 inches
Contributed by Ben Pritchard / Andrew Zarou’s compelling exhibition at The Painting Center is resonant of the ...
Two Coats Selected Gallery Guide: February 2021
Microscope: Yasue Maetake, Transmutations, installation view
This month Two Coats of Paint is unveiling a site redesign (big thanks to Heather Bause Rubinstein for the encouragement and technical support), which includes ...
Medrie MacPhee, David Humphrey, and the power of recognition
Medrie MacPhee (back wall) and David Humphrey (front wall) at the New York Studio School. Installation view.
Contributed by Jonathan Stevenson / In the 1940s, Philip Guston noted that the ...
Martin Kline: Tempered by discipline
Martin Kline, Back From Venice (II), 2019, encaustic and oil on panel, 42 x 42 x 2 3/4 inches
Contributed by Sharon Butler / Martin Kline’s meticulous and thoughtful abstractions, on ...
Tula x Yuko Nishikawa: Designing life within a shell
Contributed by Emma Stolarski / Plant life is one of nature’s masterpieces. Botanical beauty, medicine, and ecological systems are integrated in every part of our lives, whether we think about ...
Scott Daniel Ellison: “Every artist is in some way self-taught”
Scott Daniel Ellison's images of flora and fauna are suffused with personhood--trees wave bony limbs, bats have human faces, and animals wear jewelry. Working at a small scale and focusing ...
Spencer Lewis’s mesmerizing formlessness
Spencer Lewis: Six Jutes (2) installation at Harper’s Chelsea. (All photos courtesy of Harper’s Chelsea).
Contributed by Patrick Neal / Spencer Lewis’s large, colorful, gestural abstractions, on view at Harper’s Chelsea ...
The “whorish porous” in the work of Angela Dufresne
Angela Dufresne, installation view at Yossi Milo
Contributed by Andrew Woolbright / Angela Dufresne’s dual shows at Yossi Milo Gallery and M+B Los Angeles provide an opportunity to assess the full ...
Art and Film: Painter-Spy in Bridge of Spies
Contributed by Jonathan Stevenson / Bridge of Spies begins and ends with a painting. Steven Spielberg’s latest film is a penetrating and affecting consideration of the Cold War, based on ...
What good is abstract painting now?
Laurie Fendrich's new studio in Connecticut
Contributed by Laurie Fendrich / Without any bombs exploding or even a single shot fired, the world we knew before COVID has gone “poof.” Sure ...