Will Agnes Pelton Ever Get Her Due?

Contributed by Laurie Fendrich / Pause for a moment to pity the painter Agnes Pelton (1881-1961). While she was alive, she was mostly overlooked; after her death, she was still mostly overlooked. This spring was to have been Pelton’s big moment, for she was finally to move into the spotlight of the New York art … read more… “Will Agnes Pelton Ever Get Her Due?”

Catalogue essay: Abstract Art Does Not Stop an Hour

Contributed by Laurie Fendrich / The works in “Uncharted: American Abstraction in the Information Age” are, for whatever their reliance on what we call “technology,” first and foremost abstract art. To allow ourselves to be distracted by any “Wow!” factor that might lurk in some of them because they employ modern technology, or to be … read more… “Catalogue essay: Abstract Art Does Not Stop an Hour”

Moira Dryer: Satisfyingly complete

Contributed by Laurie Fendrich / Moira Dryer (b. 1957; d. 1992) was among the first painters in the 1980s and ’90s to reject minimalism and conceptualism and open things up for painting after what had seemed, to many critics and theorists, to be its endgame. These artists reintroduced references to life and experience, proudly showed … read more… “Moira Dryer: Satisfyingly complete”

Invitation: Houses in Motion, a tectonic tremor

UPDATE: Saturday, November 23, 3 pm, please join us for “Ask the Artist,” where we will be yakking about the contemporary state of abstraction. Did you see Peter Halley’s show at Greene Naftali? Let’s discuss. If you haven’t been to Bushwick lately, you might want to head out to Theodore:Art to see “Houses in Motion,” a … read more… “Invitation: Houses in Motion, a tectonic tremor”

Two Coats Selected Gallery Guide: November 2019

Contributed by Sharon Butler / Hello November! There are plenty of shows opening this month, and today (November 15) is also the fifteenth day of the 2019 Two Coats of Paint year-end fundraising campaign. This year we’re requesting funding to continue our work supporting artists and arts organizations through 2020. You might think of your … read more… “Two Coats Selected Gallery Guide: November 2019”

Two Coats Selected Gallery Guide: October 2019

Contributed by Sharon Butler / This month, in addition to the ongoing impeachment inquiry, which seems to expand minute by minute, there are plenty of great exhibitions to see; I also have a few invitations to share. Please join us: Saturday, October 12, 4pm, I hope upstate readers can stop by the Woodstock Artists Association and … read more… “Two Coats Selected Gallery Guide: October 2019”

Vija Celmins: To fix the image in memory

Contributed by Laurie Fendrich / Anyone walking out of the Vija Celmins retrospective that opened last week at SFMoMA thinking how good she is at copying things might just as well have stayed at Starbucks and googled her name on Wikipedia, where this dumber-than-dumb entry awaits: Vija Celmins is an acclaimed Latvian-American visual artist best … read more… “Vija Celmins: To fix the image in memory”

Fiction: Brooklyn Bento Box [Ara Tucker]

This week Ara Tucker, a graduate of Princeton University’s Art History and Visual Arts program and an alumna of the Bread Loaf Writers’ Conference contributes “Brooklyn Bento Box,” a story about an artist preparing for an upcoming collaborative exhibition with her precocious adopted daughter Vabeh, a “a plucky bi-racial orphan” whose work is already being collected by the parents of her private school pals. As … read more… “Fiction: Brooklyn Bento Box [Ara Tucker]”

Email: Daniel Wiener on art in fiction

Daniel Wiener, who recently presented exceptional new work in “Doubled,” a two-person show at Studio 10 in Bushwick, sent a note in response to our summer fiction series. “Lately it seems that art and artists have been appearing more frequently in fiction, and writers are doing a better job both with contemporary artists and those who are … read more… “Email: Daniel Wiener on art in fiction”