Author: Editor

Summer Reading

Fiction: The Teddy Bears [Laurie Fendrich]

Our second installment of summer fiction is “The Teddy Bears,” an amusing short story written by artist and arts writer Laurie Fendrich  about a mid-career artist whose gallery closes unexpectedly. The story is loosely inspired by the one we posted last week, “The Unknown Masterpiece” by Honoré de Balzac. Fendrich thinks of “The Teddy Bears”  as a […]

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Ginny Casey: Disembodied hands and lumps of clay in Philadelphia

Contributed by Becky Huff Hunter / It’s a common story of contemporary art for artists to describe abandoning the two-dimensional confines of traditional painting on canvas for the more immediate materiality of sculpture, installation, or performance. In her 2016 memoir, for example, academy-trained painter Marina Abramović recalls her decisive moment: “Why should […]

Peter Scherrer
Conversation

Landscape in Seattle: Cable Griffith talks to Peter Scherrer

Cable Griffith, a painter and professor at Cornish College of the Arts in Seattle, caught up with Peter Scherrer, a 2016 Two Coats of Paint resident artist, to check out Scherrer’s paintings at Salon Refu in Olympia. Both painters work with landscape imagery, and their conversation explored memory, the woods, and the importance of narrative in […]

Fiction

Fiction: The Unknown Masterpiece [Honore De Balzac]

Today marks the beginning of the Two Coats of Paint fiction column, a special summer section featuring short stories about artists, collectors, galleries, and other matters centered in the art world. To kick the series off, we present Balzac’s classic, “The Unknown Masterpiece.” Originally published in 1837 and set in the 1600s, the story is about an […]

Catalogue Essay

Thomas Micchelli on Cordy Ryman

Note: This essay, written by artist and art writer Thomas Micchelli, originally appeared in the catalogue for “Free Fall,” Cordy Roman‘s 2017 solo show at Tower 49 Gallery. The eight-foot-long two-by-fours cascade down the wall from the farthest corner of Cordy Ryman’s double-height Sunset Park studio: wooden lengths in forest green, […]

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Sustenance: Physically estranged from the art world, but not disconnected

In Mathews, a small town located on the Chesapeake Bay in Virginia, Justin Hunter Allen and Lucy Kirkman Allen run a small gallery that they call #FFFHEX, after the hexadecimal designation for white. Although they live in a rural area, they graduated from Cooper Union, have had a gallery space in Dallas, and subscribe to what they call “the white cube philosophy” […]

Sarah Faux
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Two Coats Selected Gallery Guide / May 7, 2017

As another semester winds down, some of us may be looking to visit a few outstanding shows before heading into the studio, out to the country, or back home for the summer. Two Coats has compiled a list of recommended exhibitions in New York, primarily of painting and organized by neighborhood, with handy links for those who […]

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Invitation: “Blue State” and “Inflation” at DUMBO Open Studios 2017

Can anyone stop thinking about politics these days? We can’t. For “Blue State,” an exhibition we organized for DUMBO Open Studios, May 13 & 14, 1-6pm, Two Coats of Paint has selected work that reflects our state of mind. Artists include Matthew Deleget (Minus Space Gallery), David Mann (Margaret Thatcher Projects), Helen O’Leary (Lesley Heller Workspace), and […]