Picabia: A curious man

Contributed by Katie Fuller /  “Our Heads Are Round So Our Thoughts Can Change Direction,” the Francis Picabia exhibition at MoMA, tells a story of a curious man with a need to experiment with more than one style, medium, process, or subject. As a result, this retrospective is inspiring, entertaining, and whiplash-inducing.

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Email from Kelsey Miller: Printmaking at the Housatonic Museum

Contributed by Sharon Butler / In an exhibition on view at the Housatonic Museum in Bridgeport, wildlife trafficking, environmental conservation, sexuality, religion, gender, and the illusion of domestic bliss are among the issues addressed through a diverse range of printmaking practices. UConn MFA student Kelsey Miller (and one of the winners of the 2016 SPRING/BREAK Quiz) sent me a … read more… “Email from Kelsey Miller: Printmaking at the Housatonic Museum”

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On the road: Yogyakarta, Indonesia (Part 1)

Contributed by Elana Herzog / In January I spent a week in Yogyakarta, Indonesia, on the island of Java, where I had a glimpse of a lively, burgeoning contemporary art scene. My guides were Sally Smart, an Australian artist based in Melbourne and Yogyakarta, and Entang Wiharso, an Indonesian artist based in Yogyakarta and Rhode Island. The city of Yogyakarta … read more… “On the road: Yogyakarta, Indonesia (Part 1)”

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Douglas Witmer’s simplicity

Contributed by Becky Huff Hunter / It is timely that Douglas Witmer’s solo exhibition, “Dubh Glas” at Tiger Strikes Asteroid (TSA) in Philadelphia, opened shortly after the Guggenheim’s Agnes Martin retrospective closed to the public. Witmer’s group of ten softly geometric, gesso and acrylic paintings on canvas are reminiscent in atmosphere and texture of Martin’s … read more… “Douglas Witmer’s simplicity”

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A better bonfire at the Whitney: Painting from the 1980s

Contributed by Jonathan Stevenson / “Fast Forward: Painting from the 1980s,” the Whitney’s trenchant exhibition of American work, immediately recalls the Reagan era, when bluffness trumped irony and a turbocharged version of squareness – razor-sharp creases and collar bars, coke-fueled hostile takeovers, money in the service of comfort and status, strategic peremptoriness – shoved aside … read more… “A better bonfire at the Whitney: Painting from the 1980s”

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Studio visit with Lucia Hierro

Contributed by Kate Liebman / On Valentine’s Day I visited Lucia Hierro in her studio in the Bronx where she has been working for more than two years. Nearby, a group of former factory buildings are in the process of being converted into artist studios and lofts. Born and raised in New York City, Lucia also spent a few years in … read more… “Studio visit with Lucia Hierro”

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Virtuosity: David Humphrey at Fredericks & Freiser

Contributed by Jonathan Stevenson / David Humphrey’s visual and intellectual virtuosity – augmented by the smooth surface finality of meticulously applied acrylic paint – is such that he seems to accomplish everything he wants in a given painting. Each one in his current exhibition “I’m Glad We Had This Conversation,” at Fredericks & Freiser, stands … read more… “Virtuosity: David Humphrey at Fredericks & Freiser”

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Quick study

This week: Links to a painting review of Mimi Lauter’s show in LA, the winner of the 2017 White Columns/Shoot the Lobster Award, Anish Kapoor in Brooklyn, Olafur Eliasson’s early paintings, stolen painting resurfaces, rough sketches for the peace symbol, NYTimes goes to Bushwick–but no Trumpistan politics! In the LATimes, Leah Ollman reviews Mimi Lauter’s exhibition at Tig … read more… “Quick study”

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