Author: Editor

Film & Television

Art and Film: Casimir Nozkowski’s Brooklyn

Contributed by Jonathan Stevenson / The Outside Story, writer-director Casimir Nozkowski’s agreeable feature debut, shapes up as a fairly typical indie shaggy-dog story: a mildly dissolute creative type finds himself in a mildly humorous jam that resolves itself over the course of the film in a mildly heartwarming way, preferably […]

Solo Shows

Hanging on for dear life: Ann Craven at Karma

Contributed by Zach Seeger / “It’s in the eyes,” a teacher told me about a Giacometti painting that hung on the wall in his den. “The sitters stare blankly and persistent. We stare back.” Ann Craven’s current exhibition “Animals Birds Flowers Moons” at Karma, separated into three locations, is a […]

Solo Shows

Inna Babaeva: Into the sunny void

Contributed by Rachel Beach / Sometimes we let the world bury us, if only temporarily. And sometimes we center ourselves, tighten our core, and lift. After a year (or four) that no one could fathom, the onset of spring in New York City coupled with a whiplash vaccine rollout has […]

Solo Shows

Rebecca Purdum: Touch, tactility, materiality

Contributed by Carol Diamond / In very good art, stark opposites like life and death, night and day, and pain and joy co-exist in harmonious juxtaposition, eliciting the powerful fusion of vastly different emotions through empathy and imagination. The eight large paintings in “Rebecca Purdum, Breathing Painting,” currently on view at […]

Film & Television

Poetic Pursuits: The Truffle Hunters

Contributed by Paul D’Agostino / A few foragers gathered in a middle-grounded clearing in a forest, conversing casually as their dogs sniff and shuffle excitedly at their feet. A man in a tub in a cream-of-pink tiled bathroom scrubbing his soap-cloaked pup as he bathes himself. A lone walker in […]

Film & Television

Art and Film: Ursa meta

Contributed by Jonathan Stevenson / These times demand both mordant humor and serious contemplation, which helps explain the prevalence of meticulously packaged black comedies in cinema. Two prominent and very good ones that come to mind are Emerald Fennell’s Promising Young Woman, a diamond-hard dissection of the extended kill-chain of […]