Catalogue essay: Thomas Micchelli on Cordy Ryman

Note: This essay, written by artist and art writer Thomas Micchelli, originally appeared in the catalogue for “Free Fall,” Cordy Roman‘s 2017 solo show at Tower 49 Gallery. The eight-foot-long two-by-fours cascade down the wall from the farthest corner of Cordy Ryman’s double-height Sunset Park studio: wooden lengths in forest green, yellow green, emerald green, with … read more… “Catalogue essay: Thomas Micchelli on Cordy Ryman”

The Artist’s Statement: Thomas Micchelli

Thomas Micchelli, co-editor of Hyperallergic Weekend, has what looks like a fine solo show of paintings and drawings on view at John Davis through March 1. Two bodies of work are included in the exhibition–“Bacchantes,” an ongoing series of paintings and drawings, and “Bivalves,” a set of two-part drawings that were on display in a … read more… “The Artist’s Statement: Thomas Micchelli”

Austin Thomas: Consummately visual

 Austin Thomas, “The Travel Diaries,” installation view.  Austin Thomas, “The Studio” installation view. Austin Thomas, “Conversations,” installation view.  Austin Thomas, “The Studio” and “The Sketches,” installation view. In The Brooklyn Rail, Thomas Micchelli reviews Austin Thomas’s remarkable solo show at STOREFRONT, which closes this Sunday. “The installation, which is divided into four sections (‘Travel Diaries,’ … read more… “Austin Thomas: Consummately visual”

Panel discussion: Painting in 2020

On January 16, 2020, artist and curator Jason Stopa invited Katherine Bradford, Sharon Butler, Craig Stockwell and Thomas Micchelli for a panel discussion about the issues abstract painters are addressing today. The conversation took place at Monica King Contemporary, a new gallery in Tribeca where Stopa organized “New Skin,” an exhibition featuring his work, alongside … read more… “Panel discussion: Painting in 2020”

Two Coats Selected Gallery Guide: January 2020

Contributed by Sharon Butler / Wake up everyone, the holidays are over! Get back to work! Go out and see some shows! This month, despite the unseasonably warm temperatures, a few galleries seem to be on winter hiatus, but we have plenty of options nonetheless. Dan Walsh at Paula Cooper, Susan Rothenberg at Sperone Westwater, … read more… “Two Coats Selected Gallery Guide: January 2020”

Two Coats Selected Gallery Guide: December 2019

Post-Miami, our December guide features some new shows and some that have been extended, but keep in mind that many close just before the holidays. Don’t miss Richard Tuttle at Pace, Eric Brown at Theodore:Art (opens on Friday the 13th!), Joanne Greenbaum at Rachel Uffner, and Sonya Kelliher-Combs at Minus Space. Also on the 13th … read more… “Two Coats Selected Gallery Guide: December 2019”

Artist Statement of the Day: Jock Ireland

“I don’t like writing artist’s statements. I really don’t know what to say. I’m not even sure at this point what I’ll be showing. Some heads—maybe. I guess I try to get some ‘form’ into my heads—at least I’m less suspicious of form than I am of formlessness. Maybe ‘character’ too—but whose character? I don’t … read more… “Artist Statement of the Day: Jock Ireland”

Year-End Fundraising 2017: How you can help

Dear Readers, Two Coats of Paint began publishing in 2007, and this past year, thanks to your generous  tax-deductible contributions, ongoing support from advertisers, and subsidized rent from the Two Trees Cultural Space Subsidy Program, we have been able to continue for another year. Your funding enabled us to produce articles, pay contributors, promote our intern to a paid position, host resident artists, visit artists’ studios, … read more… “Year-End Fundraising 2017: How you can help”

Steve Greene’s afterimages

Contributed by Sharon Butler / Beat-up paper, runny ink, and crusty surfaces aren’t so prevalent now that preliminary studies can be more efficiently made on the computer and final images crafted without getting one’s hands too dirty or wasting paint. Steve Greene knows that but doesn’t care. Like a musician who prefers vinyl to CDs or downloads, he is … read more… “Steve Greene’s afterimages”