Robin Hill’s acts of unnaming

Contributed by Elizabeth Whalley / In a genre-defying practice, Robin Hill queries the nature of her sensory entanglements with the everyday world. Embracing a vast array of materials, playing with scale and dimensions, blurring modes of expression, she transforms her spontaneous encounters with substances and objects into mystifying, unnameable objects. Hill is a New York-based … read more… “Robin Hill’s acts of unnaming”

Poet Iris Cushing on “There Was,” Robin Hill’s solo at Lennon, Weinberg

Contributed by Iris Cushing / A “cairn” is a group of stones, arranged in some intentional configuration, to mark a place along a trail. To make a cairn is to leave a point of reference in the present for one’s future self to encounter; its message is simply that the builder of the cairn was, … read more… “Poet Iris Cushing on “There Was,” Robin Hill’s solo at Lennon, Weinberg”

Richard Rezac’s grand domesticity

Contributed by Rachel Youens / Richard Rezac, a Chicago-based sculptor, is having his first solo show at Luhring Augustine Chelsea. Rezac’s abstract sculptures are supra-sensual forms. His method of slow, deliberate decision-making yields a heightened sensuality that suggests many things at once. Standing on the floor or in corners, hung on walls at different heights, … read more… “Richard Rezac’s grand domesticity”

Two Coats Selected Gallery Guide: February 2020

Greetings from the Penn State School of Visual Arts in State College, Pennsylvania, where I’ve been invited to give a lecture as part of the John A. Anderson Endowed Lecture Series on Tuesday, February 11, at 11:30. If you’re in the area, the talk takes place in in the Lipton Auditorium at the Palmer Museum … read more… “Two Coats Selected Gallery Guide: February 2020”

Two Coats Selected Gallery Guide: January 2020

Contributed by Sharon Butler / Wake up everyone, the holidays are over! Get back to work! Go out and see some shows! This month, despite the unseasonably warm temperatures, a few galleries seem to be on winter hiatus, but we have plenty of options nonetheless. Dan Walsh at Paula Cooper, Susan Rothenberg at Sperone Westwater, … read more… “Two Coats Selected Gallery Guide: January 2020”

Art and Film: Mark Asch’s New York

Contributed by Jonathan Stevenson / Rivaled only by Los Angeles among cities celebrated in American cinema, New York deserves its own pointedly knowing and satisfyingly chunky essay on films set there. Now the city has one, in the form of Mark Asch’s New York Movies, the latest volume in Little White Lies Magazine’s Close-Ups series … read more… “Art and Film: Mark Asch’s New York”

Two Coats Selected Gallery Guide: July 2019

Here is our selected listing of summer shows, primarily painting, in New York this month. I’ll be at the studio in DUMBO for most of the month (just got a batch of new canvases, follow work in progress here), and then, at the end, I’m off for a road trip to Canada. Give me a shout if you’re in Portland, Halifax, Cape Breton, … read more… “Two Coats Selected Gallery Guide: July 2019”

Two Coats Selected Gallery Guide: June 2019

UPDATED June 25, 2019 / In June Basel hosts the international art world from Tuesday, June 11, to Sunday, June 16, so beware that NYC openings will be sparse and a slew of #artbasel2019 posts will be flooding your Instagram feed. At the end of the list this month, we’ve added a “Roadtrip” section that includes … read more… “Two Coats Selected Gallery Guide: June 2019”

New Roads: Mark Sheinkman at Lennon, Weinberg, Inc.

Contributed by Brian Dupont / I have long been engaged with Mark Sheinkman’s art. I was in grad school when I first came across an image of one of his paintings in an art magazine. It had twisting lines, interrupted with erasures that read as glitches, wrapped around a pair of tubes, like a scroll … read more… “New Roads: Mark Sheinkman at Lennon, Weinberg, Inc.”

Bobbie Oliver’s flood of associations

Contributed by Robin Hill / Stepping into Bobbie Oliver’s solo exhibition “Residuals” at High Noon triggers sensations of spaciousness, familiarity, and equanimity. Initially, the paintings invite narratives of how the residues of saturated, ultramarine pigment on canvas came to be, and to what genomes they belong — architecture, the body, the cosmos, the atmosphere, the petri dish? A flood … read more… “Bobbie Oliver’s flood of associations”