Barbara Campbell Thomas: Ten Images (or An Abstract Painter’s Pilgrimage to Italy)

Guest Contributor Barbara Campbell Thomas / Journeying to Italy in order to bask in the perfectly toned muscular glow of High Renaissance art is a well-worn artist narrative. But while visiting Italy this past June, I bypassed the usual cast of characters entirely, taking in Florence mostly while dragging my luggage between the train station … read more… “Barbara Campbell Thomas: Ten Images (or An Abstract Painter’s Pilgrimage to Italy)”

Two Coats Selected Gallery Guide: October 2019

Contributed by Sharon Butler / This month, in addition to the ongoing impeachment inquiry, which seems to expand minute by minute, there are plenty of great exhibitions to see; I also have a few invitations to share. Please join us: Saturday, October 12, 4pm, I hope upstate readers can stop by the Woodstock Artists Association and … read more… “Two Coats Selected Gallery Guide: October 2019”

Santa Fe: A visit to the Railyard Arts District

Contributed by Katie Fuller / On a recent trip to Santa Fe, New Mexico, I was eager to check out the growing art scene in the Railyard Arts District. Being accustomed to New York, where space tends to be tight, I felt the invigorating abundance of venues like Form & Concept, LewAllen Galleries, and SITE Santa Fe, where the … read more… “Santa Fe: A visit to the Railyard Arts District”

Hilma af Klint at Serpentine Gallery: Sustenance and Possibility

Contributed by Barbara Campbell Thomas / I first laid eyes on the work of Hilma af Klint (Stockholm, 1862-1944) in 1999, while an MFA student at the University of California at Berkeley. Towards the end of a particularly fruitful studio visit, that day’s visiting artist gifted gave me with a copy of the catalogue for … read more… “Hilma af Klint at Serpentine Gallery: Sustenance and Possibility”

The Painting Center: When color matters

Color is slippery. Anyone who has ever tried to translate a casually observed color into pigment on canvas knows that the hue will never be the same as what he or she remembers. Variables like light and shadow change the same basic color from warm to cool, light to dark. And, as Albers taught us, … read more… “The Painting Center: When color matters”

Drawing links

Maureen McQuillan, “Untitled Photogram (QCG/3),” 2010, unique silver gelatin print, 29 x 36,” courtesy of the artist and McKenzie Fine Art  Rosemarie Fiore, “Firework Drawing #26″, 2009, lit firework residue on Fabriano paper, 41 x 48,” courtesy of Priska C. Juschka Fine Art Amy Pleasant, “Untitled (Green Cloud I),” 2009, ink and gouache on paper, … read more… “Drawing links”

Two Coats Selected Gallery Guide: March 2020

This week the art fairs settle into their New York cubicles. Galleries, of course, also have a robust slate of offerings, which might be a welcome refuge especially for Warren and Sanders supporters who are licking their wounds after Super Tuesday and trying to wrap their minds around a general election featuring Uncle Joe and … read more… “Two Coats Selected Gallery Guide: March 2020”

Two Coats Selected Gallery Guide: December 2019

Post-Miami, our December guide features some new shows and some that have been extended, but keep in mind that many close just before the holidays. Don’t miss Richard Tuttle at Pace, Eric Brown at Theodore:Art (opens on Friday the 13th!), Joanne Greenbaum at Rachel Uffner, and Sonya Kelliher-Combs at Minus Space. Also on the 13th … read more… “Two Coats Selected Gallery Guide: December 2019”

Two Coats Selected Gallery Guide: November 2019

Contributed by Sharon Butler / Hello November! There are plenty of shows opening this month, and today (November 15) is also the fifteenth day of the 2019 Two Coats of Paint year-end fundraising campaign. This year we’re requesting funding to continue our work supporting artists and arts organizations through 2020. You might think of your … read more… “Two Coats Selected Gallery Guide: November 2019”