Month: April 2020

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Remote: Teaching art online

Contributed by Peter Plagens / Serious studio art classes cannot be taught online. Oh, they can be �taught��if the professors and students accept, in a parallel to what my father used to say about cheap frozen pizza, a �cheese-like substance� in place of real cheese. That is, if everybody settles […]

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Quick study: How the world is changing

Here are some articles and online projects that I thought might interest Two Coats readers. I’ve been somewhat productive in working on an artists’ book project during lockdown, but I have trouble tearing myself away from the news and trying to make sense of it all. –Sharon Butler George Packer […]

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Art and Film: Claustrophobia

Contributed by Jonathan Stevenson / People in lockdown on account of a pervasive but invisible biological enemy might be perversely drawn to movies broadly about pandemics, like Steven Soderbergh�s coolly wise Contagion (2011), Alfonso Cuar�n�s elegantly melancholy Children of Men (2006), or the rather silly but occasionally unnerving Outbreak (1995). […]

Prints

Piranesi and the anxiety of modernity

Contributed by Armin Kunz / Giovanni Battista Piranesi (1720�1778) created innumerable views of ancient and modern (that is, Baroque) Rome that together formed his monumental print cycles �Antichit� Romane� and �Vedute di Roma.� They established his fame and lured generations of travelers to the Eternal City. Today, however, he is […]

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Will Agnes Pelton Ever Get Her Due?

Contributed by Laurie Fendrich / Pause for a moment to pity the painter Agnes Pelton (1881-1961). While she was alive, she was mostly overlooked; after her death, she was still mostly overlooked. This spring was to have been Pelton�s big moment, for she was finally to move into the spotlight […]

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Richard Rezac�s grand domesticity

Contributed by Rachel Youens / Richard Rezac, a Chicago-based sculptor, is having his first solo show at Luhring Augustine Chelsea. Rezac�s abstract sculptures are supra-sensual forms. His method of slow, deliberate decision-making yields a heightened sensuality that suggests many things at once. Standing on the floor or in corners, hung […]

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Chris Domenick�s deceptively flat world

Contributed by Tony Bluestone / �Flat Moon,� Chris Domenick’s show of large framed works at Kate Werble Gallery, was the last exhibition I was able to see in person before the Covid-19 pandemic made it necessary to close galleries to the general public. The show is eerily poignant. Domenick asks […]