Month: January 2020

Artist's Notebook

The political power of art

Contributed by Jonathan Stevenson / In a typically penetrating New York Times column earlier this month, David Leonhardt pointed out that one of Franklin Delano Roosevelt’s many insights was the need to showcase as well as merely extend government largesse in order to impress upon its beneficiaries the ongoing value of the […]

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Susan Rothenberg: Hope and discontent

Contributed by Sharon Butler / Susan Rothenberg�s invariably forceful and confident paintings have a beguiling twitchiness, created out of layers of agitated brushwork from a restless hand. In her latest solo at Sperone Westwater, she continues to embrace a non-serial approach, presenting paintings and drawings of various objects and animals […]

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Essex Flowers: Waiting to be activated

It saved me once too often,You’d never know how often.I’ve pictured you in coffins:My baby in a coffin.But I love it when you blink your eyes. — Distortions, by Clinic Contributed by Zach Seeger / How do we know we�re still alive? Reverse Marie Kondo: the accumulation of our stuff; […]

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On a Cartoon Graveyard

Contributed by Julian Kreimer/�At 3:10 pm on a blustery Thursday afternoon, the falling sun refracted off the 3rd floor windows of PS 42, the Benjamin Altman Elementary School, named for the department store magnate, a first-generation son of Bavarian Jews who rose from running a small Lower East Side dry-goods […]

Group Shows

The Daily

Contributed by Sharon Butler \ I was recently invited to select work from an Open Call at the Ely Center for Contemporary Art in New Haven. Looking at more than 300 worthy submissions (and reading all the artist statements) I was drawn to work that�s rooted in materiality, ritual, and […]

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Steve Hicks: Sparring shape and line

Contributed by Carol Diamond / Steve Hicks�s oil and acrylic canvases exude confidence and exuberance, like a teenager sporting a new outfit and venturing out to face the world.�I�ve got this, the paintings seem to say. Hicks�s shapes and lines, his layers and hues, impart a robust, jaunty sense of […]

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Kathryn Hart: A feminist in Venice

Contributed by Emma Stolarski / Kathryn Hart’s “New Dawn,” an inventive site-specific exhibition of sculpture and photography, contemplates the simultaneous organic processes of generation, regeneration, degradation, and, finally, documentation. Each wire-and-fiberglass sculpture incorporates the tension between becoming and eroding, renewal and entropy, growth and decay. The pieces glisten with an […]