Contributed by Brian Dupont / I have long been engaged with Mark Sheinkman�s art. I was in grad school when I first came across an image of one of his paintings in an art magazine. It had twisting lines, interrupted with erasures that read as glitches, wrapped around a pair […]
Month: April 2019
Vintage 1959
By Jonathan Stevenson / At first blush, if you were born in 1959 — two years after Sputnik, just beyond the outer fringe of the baby boom, but before Gen X kicked in — you could be forgiven for feeling a little left out. You’re too young to have felt the […]
Mira Schor casts a spell
Contributed by Heike Moras / A strand of melancholic stillness runs through each of Mira Schor�s early Californian paintings, on view at Lyles & King through May 19. Done roughly around the time the artist spent at Cal Arts in the early 1970s and heavily influenced by her work with the fabled […]
Studio visit: Lisa McCleary
Contributed by Sharon Butler / While I was a Visiting Artist at the Vermont Studio Center earlier this month, I met Lisa McCleary, an Australian-Irish artist who completed the MFA Program at Parsons in 2018. She was working on a series of intriguing paintings for “Edging,” a solo show that opens on […]
Art and Film: Claire Denis� cosmic noir
Contributed by Jonathan Stevenson / Claire Denis� stupefyingly smart film High Life, the first she has directed in English, starts ahead of its main events, without any set-piece exposition, in and around a barren spacecraft inhabited by a father, his baby daughter, and zippered corpses that used to compose the […]
Zilia S�nchez, surrounded by the sea
Contributed by Katarina Wong / In Zilia S�nchez�s retrospective currently on view at The Phillips Collection, a video shows her on the beach, casting one of her shaped paintings �Soy Isla (I Am an Island)� into the waves. This piece sets the tone for an exceptional exhibition from a fiercely independent artist. Born […]
Bobbie Oliver�s flood of associations
Contributed by�Robin Hill�/ Stepping into Bobbie Oliver�s solo exhibition �Residuals��at High Noon�triggers sensations of spaciousness, familiarity, and equanimity. Initially, the paintings invite narratives of how the residues of saturated, ultramarine pigment on canvas came to be, and to what genomes they belong — architecture, the body, the cosmos, the atmosphere, […]
Past, present, future: Lizbeth Mitty and Dana James
Contributed by Katie Hector / The handsome and evocative two-person show currently at M. David & Co. Gallery in Bushwick is the first public exhibition that Lizbeth Mitty and her daughter Dana James have had together. Yet, in retrospect, it seems to have been inevitable. Mitty grew up in Queens, […]
Book report: Mary Gabriel’s Ninth Street Women
Contributed by Brece Honeycutt and Anne Lindberg / Mary Gabriel’s Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell and Helen Frankenthaler -�Five Painters and the Movement That Changed Modern Art (New York: Little Brown and Company, 2018) is a tour de force. The book explores many […]
Two Coats Selected Gallery Guide: April 2019
UPDATED–April 14 / I want to give a quick shout out to DUMBO Open Studios, which takes place on Saturday and Sunday, April 27 & 28, 1-6pm. Stephanie Theodore of Theodore:Art and I are co-curating an exhibition in the Two Coats HQ (aka my studio) of work made by artists born in […]