Contributed by Jonathan Stevenson / Florian Henckel von Donnersmarck�s film Never Look Away concerns a German painter named Kurt Barnert (the charismatic Tom Schilling), but it is an unabashed interpretation of Gerhard Richter�s life. Its style is seductively elegant and its script at once discursive and oblique � qualities that […]
Month: January 2019
EJ Hauser: Innocence and wonder
Contributed by Sharon Butler / In her new painting exhibition �Barn Spirits� at Derek Eller, Brooklyn-based artist EJ Hauser features ungainly, diagram-like landscapes with flat, unmodulated color generated by way of a layered process that conjures screen-printing or crayon drawing. The new imagery, presentational rather than transformative, expands the substantially […]
Jennifer Riley’s Machine Series paintings
Contributed by Sharon Butler / When Brooklyn artist Jennifer Riley began making large-scale abstract paintings using discarded laser-cut pieces of steel, she connected with a century of artists preoccupied with the deconstructed machine. They ranged from post-World War I Dadaists like Raoul Hausmann and Francis Picabia whose images of humans […]
Artists’ spaces: The Painting Center
Contributed by Sharon Butler / I was on Facebook the other day and noticed Dana Gordon�s post about the history of The Painting Center. Back in the 1990s, when NYC galleries were centered in Soho, curators were more interested in video, installation, conceptual, and performance projects than they were in […]
The materiality of written language
Contributed by Heather Bause Rubinstein / Joe Fyfe�s newest series of paintings at Nathalie Karg Gallery are packed with visual, poetic and intellectual punch. Fascinated by the possibilities of collaged-together textiles, Fyfe is pushing his work into more formal complexity. Also new is a recurring textual element: hand-painted enlargements of […]
Erasure as aesthetic principle at Pierogi
Contributed by Gina DeCagna / Capacious and compelling in content, “Under Erasure,” co-curated by Raphael Rubinstein and Heather (Bause) Rubinstein on view at Pierogi Gallery through January 27, yields a significant platform for discourse on an evolving area of intersectional media and politics: written language and visual art. The exhibition — […]
Two Coats Selected Gallery Guide: January 2019
Contributed by Sharon Butler / The new year brings good news for Bushwick gallery goers: The L Train, which was scheduled for a 15-month shutdown to undergo repairs beginning this year, is NOT shutting down. This is a welcome decision for the artists and galleries that live and work along the path of […]
Art and Film: Cheapening the art world one toxic bite at a time
Contributed by Kristen Clevenson / The Price of Everything (2018), a documentary film directed by Nathaniel Kahn, seeks to assess the impact, influence, and inescapable role of money in the art world. In November, I attended a screening followed by a panel discussion featuring Pulitzer prize-winning art critic Jerry Saltz, Hunter College professor […]
Immediate, physical, emotional: Studio visit with Elise Siegel
Contributed by Leslie Wayne / For as long as I�ve known Elise Siegel, she has been making three-dimensional work about the psyche. Although her sculptures have always addressed the body in some form or another, her subject has always been the mind. In the 90s, she made skirts and dresses […]
Melissa Meyer: Close attention to familiar surroundings
Contributed by Sharon Butler / A Pennsylvania Academy of Fine Arts colleague once told me that taking a new route each day was the most creative approach to commuting, but I firmly believed that walking the same route, from 30th Street Station down JFK Boulevard to City Hall, was more fruitful. Since […]