Month: October 2018

Gallery shows

Assembled but not resembling, at Patricia Sweetow

Contributed by Robin Hill / The works in �Assembled,” an absorbing three-person exhibition featuring Julia Couzens, Helen O�Leary, and Cornelia Schulz at Patricia Sweetow Gallery in San Francisco, are defiantly not about anything but are, rather, of many things (of fiber, wood, paint, wire, canvas), and have been realized through many actions (binding, wrapping, stuffing, leaning, interlocking, slathering, skimming, […]

Film & Television

Art and Film: Catherine Weldon and Sitting Bull

Contributed by Jonathan Stevenson / Trump�s reactionary public policy, which has institutionalized contempt for the advances in social justice forged in the United States over the past 150 years, has produced pervasive discontent. Anger about his racism, misogyny, and homophobia is manifesting itself through art in different ways. In tone, resistance ranges from […]

Lists

Two Coats Selected Gallery Guide / October 2018 (updated)

Contributed by Sharon Butler / Here is the updated list of October (mostly painting) shows that I promised earlier this month. NOTE: Galleries who would like their exhibitions considered for inclusion in the next Two Coats Selected Gallery Guide should send a note to ExhibitionsatTCOP@gmail.com. Please include a few jpegs and exhibition info (Preferred […]

Solo Shows

Elena Sisto: A new kind of freedom

Contributed by Sharon Butler / Elena Sisto�s new paintings, on view at Bookstein Projects through October 27, focus smartly on hair. Lively thick brushstrokes snake around diminutive, brightly colored faces, conjuring the stylized coifs of Gustav Klimt and the Vienna Secession. For Klimt, who was working in Vienna when Freud […]

Interview Solo Shows

Lindsay Walt: Infinite space, logical form, and inner contemplation

Contributed by Lilly Hern-Fondation / In her new paintings and works on paper, Lindsay Walt works with geometric structures that appear as though they have materialized out of thin air. In compositions that balance atmosphere and striation, repetition and variation, structured order and dissolution, she moves towards a manipulated immateriality rendered in blue. […]