Contributed by Katie Fuller / Even though the weather this weekend wasn’t ideal, Dumbo Open Studios was well worth a visit. For readers who couldn’t make it, I’ve compiled a stack of images, featuring both work-in-progress and completed pieces. My collection, however, doesn�t even begin to cover all the participants, many of whom are established artists who rarely invite the public into their studios. This was a special event. If you get a chance to go next year, don’t miss it–even if there’s a torrential downpour!
Sharon nice seeing your paintings in the Dumbo open studios photos.
Missed the event but made it to the Art Buzz panel where all did a great service to the ATOA community: informing us of just how fast the on-line art world is growing, and encouraging us to see culture as community. I’d like to see your I-phone drawing. Where are they
posted?
Take a look at the site arteidolia.com. I wrote a review of the exhibition “An Homage” at Francis Naumann which deals with the one hundredth anniversary of Duchamp’s “Fountain”
( I’m the fellow who asked you about Parker Bright)
Two Coats wants to warmly thank all readers who contributed to the Two Coats of Paint 2023 Annual Fundraising Campaign. We couldn’t continue publishing without you.
Contributed by Natasha Sweeten / On a warm, sunny day that teased people outdoors, I stepped into Zwirner to catch Joe Bradley’s current exhibition, “Vom Abend.” Nine large...
Sharon nice seeing your paintings in the Dumbo open studios photos.
Missed the event but made it to the Art Buzz panel where all did a great service to the ATOA community: informing us of just how fast the on-line art world is growing, and encouraging us to see culture as community. I’d like to see your I-phone drawing. Where are they
posted?
Take a look at the site arteidolia.com. I wrote a review of the exhibition “An Homage” at Francis Naumann which deals with the one hundredth anniversary of Duchamp’s “Fountain”
( I’m the fellow who asked you about Parker Bright)
Ron Morosan