Month: March 2016

Uncategorized

Quick study

This week we have links to the 2016 Shandaken residents, publication news, Art Basel Hong Kong, the NADA New York roster of exhibitors, the Turner Prize, Greg Allen mischief, recommended reading, an introduction to a new artist’s vlog. First, news from Theodore:Art: The gallery in Bushwick where I recently had […]

Uncategorized

Laurie Sloan: The truth is out there

  When I was invited to curate an exhibition at EBK Gallery in Hartford, I decided to organize a solo show of prints by Laurie Sloan. Sloan, a printmaking professor at the University of Connecticut and founder of Counterproof Press, rarely shows her own work, so I relished the opportunity […]

Uncategorized

Lynne Harlow: Color and light

Lynne Harlow‘s elegant and evocative show at Minus Space is a meditation on the inextricable relationship between color and light. In the ten works on display, Harlow explores pale pink. This is not the generic pastel pink of children’s toys and baby onesies, but rather the specific color that painter […]

Uncategorized

Interview: Crystal “Kitty” Shimski with Dennis Kardon

Guest contributor Crystal “Kitty” Shimski, widely admired in the art community as a freelance Intuitive Technique Specialist and part-time Trance Inducer. Kitty usually contributes our Horoscopes, but this month she has submitted an interview with Dennis Kardon, on the occasion of his solo exhibition at Valentine. As always, Kitty’s post […]

Studio Visit

Interview: Medrie MacPhee in Ridgewood

Contributed by Sharon Butler / Medrie MacPhee’s pensively beautiful paintings first came to my attention at the 2015 American Academy of Arts and Letters Invitational Exhibit. The paintings she had in the show, abstract with architectural references, featured deconstructed pieces of clothing subtly collaged onto the surfaces. MacPhee is a very accomplished artist. Born in Edmonton, Alberta, she earned her BFA from the Nova Scotia College of Art and Design and then, in 1976, moved to NYC. Since then, she has racked up numerous shows and awards, including a Guggenheim, a National Endowment for the Arts Grant, an Elizabeth Greenshields Award, New York Foundation for the Arts Grants, and Canada Council Established Artist Grants. After 25 years in a loft on the Bowery, she and her partner–filmmaker Harold Crooks–moved to Queens, where they bought a small building with first-floor garage that MacPhee has turned into a studio. We talked about image, process, surface, content, and the impulse to add clothing to her canvases.

Uncategorized

Art on paper � and in practice

Contributed by Jonathan Stevenson / Like VOLTA, the Art on Paper fair on Pier 36 was a modestly gauged and user-friendly alternative to the massive and unwieldy Armory Fair. It also presented consistently rich work from a geographically and stylistically broad range of galleries. Here are a few eye-catching selections. […]