Karla Wozniak paints the American landscape, from fast food joints and strip malls to car dealerships and roadside scenery. While she was an assistant professor at the University of Tennessee, Knoxville, elements from east Tennessee’s verdant landscape began appearing in Wozniak’s work. In vibrant newer paintings, on view in a solo show that opens at Gregory Lind on September 10, her focus turned decisively to the foothills of the Smoky Mountains.
[Image at top: Karla Wozniak, Kaleidoscope Tree, 2015, oil on canvas over panel, 30 x 30 inches.]
Like Charles Burchfield, Georgia O’Keeffe, and Arthur Dove, the landscape provides a starting point for Wozniak’s fervid imagination. Rendered in saturated, unnatural color, the landscape forms teem with pattern, tangled and energetic. For Wozniak, the natural world is a template into which she pours abundant emotional content.
Recently, Wozniak, who grew up in Berkley, California, left the University of Tennessee for a position as assistant professor at California College of the Arts in Oakland. For a painter like Wozniak, such a radical shift in environments will undoubtedly affect her work in surprising ways. Let’s see where this new turn takes her.
“Karla Wozniak: The Valley Electric,” Gregory Lind Gallery, San Francisco, CA. September 10 – October 24, 2015
Two Coats of Paint is licensed under a Creative Commons Attribution – Noncommercial-No Derivative Works 3.0 United States License. For permission to use content beyond the scope of this license, permission is required.
Two Coats of Paint is licensed under a Creative Commons Attribution – Noncommercial-No Derivative Works 3.0 United States License. To use content beyond the scope of this license, permission is required.