Month: April 2015

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Web world: The New Museum’s 2015 Triennial

Entering the New Museum’s 2015 Triennial “Surround Audience” is like stepping into someone else�s search history. If you�re passionate about the same information that he or she is, you might find the work fascinating. If not, you may feel as though you�re laboring through a reading assignment, or worse, correcting […]

Museum Exhibitions

Peter Halley: Hyperreal

Contributed by Sharon Butler / When I stopped by the Florence Griswold Museum during a snowstorm in mid-March to see Peter Halley‘s retrospective, the glowing neon color and interlocking geometric forms — what he has called cells, prisons (that is, rectangular sets of prison bars), and conduits — had transformed […]

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Your Monthly Horoscope! by Crystal �Kitty� Shimski

Transcribed by guest contributor Jennifer Coates / Kitty divides her time between New York City and Montauk. She is a freelance Intuitive Technique Specialist and part-time Trance Inducer. She was recently certified in Trauma Re-alignment and holds a dual Associates Degree in Breath Dancing for Painters and Creative Shock Control […]

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Image of the Day: Ellen Siebers

  I stopped by Matteawan Gallery in Beacon yesterday to check out Ellen Siebers’ winsome show before it closes on Sunday. Siebers paints an assortment of objects from memory, some recognizable and some not, on a small scale and using neutral color, recalling the simplicity of Shaker design. “With every […]

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Craig Taylor: Data bust

   In his witty new paintings, Brooklyn painter Craig Taylor empties traditional portrait bust forms of facial detail and fills the silhouettes with strata of small marks and brushstrokes. The effect is to make visible the unarticulated anxiety behind our carefully crafted facades. [Image at top: Craig Taylor, Self-Portrait of […]

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Jack Davidson: Snippets and memories

Jack Davidson�s paintings are humble, from their mid-scale size and lightweight stretcher bars to their enigmatic lowercase titles. The paint handling is purposefully inconspicuous, like the uninflected voice of a realist novelist. Davidson wants to show what happens when a painter refrains from using all the jaw-dropping tricks we associate […]