When I stopped by Suzanne Joelson‘s studio a few weeks ago, I found her working on several things at once, including two large paintings on hollow-core panels (doors in a previous life) and a series of painting-collages on paper. Recently I’ve been collaging scraps of clothing–primarily t-shirts from the salvation […]
Month: December 2014
The strategic now
In her statement for “The Forever Now,” the contemporary painting show on view at MOMA through April 5, 2015, curator Laura Hoptman makes a case that the Internet enables painters to sample styles from art history, creating an �ahistorical free-for-all� in which artists are �reanimating historical styles or recreating a […]
Artist’s house for sale: Mystic, Connecticut
UPDATE (Dec. 23): We have a contract on the house, but there’s a contingency clause–we agreed to give the buyers time to sell their house–so we can still entertain other offers! When I was a full-time faculty member at a nearby university, we bought this beautiful historic house at […]
Miami, Part IV: Rebecca Morgan’s eye on the figurative (and a bit of abstraction)
Guest Contributor Rebecca Morgan / The Miami fairs constitute true spectacle. I enjoyed watching it happen from a safe distance, and found it even more exhilarating to be present and in the thick of it all. The general atmosphere across the fairs and social scenes throughout the week was congenial […]
Miami, Part III: Heather Leigh McPherson attends a Bomb discussion, Untitled
Guest Contributor Heather Leigh McPherson / After a Saturday filled with manic art-spectating energy, I went to Untitled and attended a late afternoon panel at Select Art Fair, which presented a moment of reflection and listening. Moderated by artist, curator, and BOMB contributing editor Legacy Russell, The Artist, The Writer: […]
Miami, Part II: Heather Leigh McPherson Reports on NADA
Guest Contributor Heather Leigh McPherson / I spent twenty-six hours awake in Miami Beach. I gave Art Basel the once-over, had a long look at the NADA (New Art Dealers Alliance) Fair, attended a panel hosted by Legacy Russell at Select Art Fair, and flew through Untitled in the fifty-two […]
Miami, Part I: Rebecca Morgan’s picks from Untitled and Art Basel
Guest contributor Rebecca Morgan / As the definitive Juggernaut, Art Basel Miami Beach offers a lot to love and loathe. Personally, my love for art fairs far exceeds my disdain for them; without going into particulars as to how and why an artist can feel jaded about art fairs, I […]
Part I: Adira Thekkuveettil and the defaced murals in India
Contributed by Hannah Kennedy, Two Coats Intern / Adira Thekkuveettil is an emerging photographer working in Gujarat, India, who created “Women on Walls,” a series of photographs inspired by the notorious 2012 Delhi gang rape incident. When she noticed that public murals depicting women that were intended to beautify the […]
Art and Film: Revenge of the casualists?
Contributed by Jonathan Stevenson / Joe Angio�s winning rock documentary Revenge of the Mekons concerns a defiantly non-commercial punk-era British rock band that has kept going with core members who started out as art students at the University of Leeds, along with a rotating cast, for thirty years. The filmmakers […]
Press release of the week: IDLENESS vs. INDUSTRY
“The aperture on the camera Man Ray used for Dust Breeding (1920) is said to have been left open the precise amount of time it took him and Marcel Duchamp to have a leisurely lunch. The resulting photograph�capturing a section of Duchamp�s Large Glass (1915-1923) lying in an unfinished state […]