Recently transplanted to Belgium after spending ten years in LA, our friend at Frenchy But Chic! reports that there are a few Belgian painters worth checking out besides Tuymans and Borremans, particularly Walter Swennen, who is currently having a retrospective at the Wiels:
Unlike the two painters mentioned above, he’s actually fun and looking at his career retrospectively, innovative as well
rather than wallowing in the nostalgia of dated figurative painting, beholden to the market, making works only ignorant wealthy people would want hanging over the sofa, whatever they’re boring. Because his work is so obviously humorous I guess it’s the reason he might not be taken as seriously as his Belgian brethren, which is the fate awaiting any artist using humor in their work. If your work isn’t depressing and purporting to deal with heavy subject matter, whether it’s contemporary politics or the Holocaust, it’s going to be passed over in favor of, oh, I don’t know, gray figurative paintings of dead people or something. Or straightforward documentary videos of anything political, or propaganda posters or cardboard placards telling you how you should think, so it spares you the energy of having to do it for yourself. God, the art world is so boring and predictable sometimes.
Anyway, Swennen has two things going against him to be taken seriously as an artist in the pages of glossy international art magazines; one being that he’s a painter and the other that his work is hilarious. Because we’re contrarians here at FBC!, we’ve decided that he is in fact one of the two greatest living contemporary Belgian artists, the other being Ria Pacquée. There might be others, but I haven’t been here long enough to list more. Oh yes, there is one! I like Hans Op De Beek‘s work very much….
There is a distinctive element in Swennen’s work that recalls a certain
type of 1980s and 1990s painting, like this one above that could evoke
Albert Oehlen, for example. And like these two painters, you could also
trace back Swennen’s use of humor and borrowing of comics and cartoons
tropes to pioneer painter Sigmar Polke. And like Polke and Kippenberger,
the use of what seems at first glance conspicuously goofily-made,
carelessly painted images is just a device to get at the essence of
painting as a medium…”
I can’t imagine readers wouldn’t want to read the rest of FBC!’s report here. I’m looking forward to learning more about the Belgian art scene.
Image above: Exhibition view of “Walter Swennen: So Far So Good,” at WIELS Contemporary Art Centre, Brussels. Through January 26, 2014. Photo: Kristien
Image from his gallery website:
|Walter Swennen, Egyptiens, 2013, oil on canvas, 160 x 170 cm. Courtesy of Nicolas Krupp.|
Two Coats of Paint is licensed under a Creative Commons Attribution – Noncommercial-No Derivative Works 3.0 United States License. For permission to use content beyond the scope of this license, permission is required.
Two Coats of Paint is licensed under a Creative Commons Attribution – Noncommercial-No Derivative Works 3.0 United States License. To use content beyond the scope of this license, permission is required.