While out in Los Angeles, I learned about In The Make: Studio Visits with Artists and Designers, a collaborative online project between between photographer Klea McKenna and writer Nikki Grattan. A few weeks ago McKenna and Grattan visited the studio of LA-based painter Rebecca Morris, who is having a work-on-paper […]
Month: February 2012
IMAGES: Frederick Hammersley’s hunches
Is it possible to be an emerging artist when you’re dead? Yes. Frederick Hammersley (American, 1919-2009) worked in Los Angeles for many years, until in the late ’60s when he was nearly 40, he accepted a teaching position at the University of New Mexico and moved to Albuquerque. After teaching […]
Handmade, utopic, urgent and obsessive
I just landed in DC, so I probably won’t get to Airplane before “Facture” closes on Sunday, but the installation shots on their website look intriguing. “Combining a handmade aesthetic with a range of materials, the works in ‘Facture’ manipulate spatial perception and challenge the distinctions between sculpture, painting, photography, […]
Quick study: Psychedelic edition
� Ken Johnson, NY Times art critic and author of Are You Experienced: How Psychedelic Consciousness Transformed Modern Art, gushes over Terry Winters new paintings, calling them “psychedelically thrilling.” Terry Winters, Notebook 5, 2003-2011, collage, 11 x 8 1/2 inches � Terri Ciccone reviews “What I Know,” in Bushwick Daily. […]
Art Appreciation quiz
In honor of the College Art Association’s Annual Conference that takes place in Los Angeles this week, I’ve prepared a quiz not unlike the identification portions of the exams we used to take in art history class–but so much more fun when the artists are alive. The following paintings caught […]
IMAGES: Michael Bauer
In the fantastic group exhibition at Foxy Productions, “Bauer, Croxson, Lichty, Wood,” Michael Bauer (German, born 1973) presents diminutive paintings that suggest a new direction for abstraction. Dark and enigmatic, they evoke a self-effacing combination of surreal portraiture and Modernist abstraction, unleashing a variety of references both nightmarish and charming. […]
A painter in The Ungovernables @ New Museum: Lynette Yiadom-Boakye
The 2012 New Museum Triennial, which opens today, features thirty-four artists, artist groups, and temporary collectives�totaling over fifty participants�born between the mid-1970s and mid-1980s, many of whom have never before exhibited in the US. Called �The Ungovernables,� the exhibition is about “the urgencies of a generation who came of age […]
From the DC art community: Tim Doud and Zo� Charlton
Last week I went to Mira Schor’s lively talk, “Voice and Speech,” at American University, where she discussed one of my favorite topics: painting, writing and how the two fit together in an art practice. I’m looking forward to her upcoming show at Marvelli. It opens on March 29 and […]
Two Coats of Paint @ The College Art Association Annual Conference
Best known as the hellish interview hub for hundreds of recent MFA grads, the College Art Association Annual Conference, which takes place February 21-25 at the Los Angeles Convention Center, is kind of like a geeky, intellectual version of Art Basel Miami. The schedule of discussions is dizzying and most […]
Must read: James Elkins deciphers the Art Critique
Contributed by Sharon Butler / After participating in final critiques at Brooklyn College and MICA last semester, I posted some notes for grad students about the critique process, and a reader suggested I check out a recent release from New Academia Publishing called Art Critiques: A Guide. Written by James […]