Month: February 2012

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Rebecca Morris: Stubborn and independent

While out in Los Angeles, I learned about In The Make: Studio Visits with Artists and Designers, a collaborative online project between between photographer Klea McKenna and writer Nikki Grattan. A few weeks ago McKenna and Grattan visited the studio of LA-based painter Rebecca Morris, who is having a work-on-paper […]

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IMAGES: Frederick Hammersley’s hunches

Is it possible to be an emerging artist when you’re dead? Yes. Frederick Hammersley (American, 1919-2009) worked in Los Angeles for many years, until in the late ’60s when he was nearly 40, he accepted a teaching position at the University of New Mexico and moved to Albuquerque. After teaching […]

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Handmade, utopic, urgent and obsessive

I just landed in DC, so I probably won’t get to Airplane before “Facture” closes on Sunday, but the installation shots on their website look intriguing. “Combining a handmade aesthetic with a range of materials, the works in ‘Facture’ manipulate spatial perception and challenge the distinctions between sculpture, painting, photography, […]

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Quick study: Psychedelic edition

� Ken Johnson, NY Times art critic and author of Are You Experienced: How Psychedelic Consciousness Transformed Modern Art, gushes over Terry Winters new paintings, calling them “psychedelically thrilling.” Terry Winters, Notebook 5, 2003-2011, collage, 11 x 8 1/2 inches  � Terri Ciccone reviews “What I Know,” in Bushwick Daily. […]

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Art Appreciation quiz

In honor of the College Art Association’s Annual Conference that takes place in Los Angeles this week, I’ve prepared a quiz not unlike the identification portions of the exams we used to take in art history class–but so much more fun when the artists are alive. The following paintings  caught […]

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IMAGES: Michael Bauer

In the fantastic group exhibition at Foxy Productions, “Bauer, Croxson, Lichty, Wood,” Michael Bauer (German, born 1973) presents diminutive paintings that suggest a new direction for abstraction. Dark and enigmatic, they evoke a self-effacing combination of surreal portraiture and Modernist abstraction, unleashing a variety of references both nightmarish and charming. […]

Books

Must read: James Elkins deciphers the Art Critique

Contributed by Sharon Butler / After participating in final critiques at Brooklyn College and MICA last semester, I posted some notes for grad students about the critique process, and a reader suggested I check out a recent release from New Academia Publishing called Art Critiques: A Guide. Written by James […]