Month: October 2011

Uncategorized

Book of the Day: Coming to That by Dorothea Tanning

 Dorothea Tanning, “Voltage,” 1942, oil on canvas, 11 1/8 x 12 1/8″ Dorothea Tanning,”Pelote d’�pingles pouvant servir de f�tiche (Pincushion to Serve as Fetish),” 1965, black velvet, white paint, gun pellets, and plastic with pins, 15 3/4 x 17 15/16 x 15 3/4.” courtesy of the Tate Gallery, London Graywolf […]

Uncategorized

A rolling conversation: Pricing artwork

 Everyone begins taking their seats before the Rolling Conversations get underway.  Dr. Paul D’Agostino of Centotto and Rolling Conversation organizer Adam Simon discuss alt art spaces devoted to dialogue.  Frances Richard and Matt Freedman discuss Clumpism and contemporary notions of the Avant Garde. Last night at “Rolling Conversations,” the inaugural […]

Uncategorized

Process: Gerhard Richter

How does Gerhard Richter make those big abstract paintings? Filmmaker Corinna Belz spent three years recording Gerhard Richter at work in his Cologne studio. Here is some footage from the 2010 film, “Gerhard Richter Painting,” which is on view this weekend at the Tate Modern in conjunction with his career […]

Uncategorized

Good painting: Tatiana Berg and Sarah Faux

Berg stretches canvas around handmade wooden frames and then paints the surfaces with spray paint, oil and enamel. Comparing their process to Bill Murray’s improv, Sarah Faux and Tatiana Berg think sometimes you die onstage, but eventually you stop fearing death. After several rounds of email regrets and missed appointments […]

Uncategorized

Quick study

Here are some recent items expanded from the Two Coats of Paint Twitter Feed. Among the 18 artists selected for the deCordova Biennial is Joe Wardwell. “Come on Feel it,” 2011, oil on panel, 24″ x 24″ 18 artists selected for deCordova Biennial, Jan. 22-Apr. 22, 2012 ‘The 2012 Biennial […]

Uncategorized

Susan Rothenberg’s disparate images

Susan Rothenberg, “Raven,” 2010, oil on canvas, 87 1/2 x 75 1/8.” Susan Rothenberg’s show at Sperone Westwater features vigorous new paintings of birds, circus performers, heads, hands, and smaller paintings of dogs napping in the studio. At first glance, the subjects of the paintings seem unconnected. But the driving […]

Uncategorized

The importance of language: Josephine Halvorson

 Josephine Halvorson, “Hot Coals,” 2009. This images is from her 2009 show at Sikkema Jenkins. I’ll post images of new work after her upcoming show opens. Here’s the press release of the day, which was selected because the language used to describe Josephine Halvorson‘s beautiful, old-school perceptual paintings makes them […]