“Malevich and The American Legacy,” an exhibition at Gagosian, traces a line from the geometric work of post-war American artists (all male except for Agnes Martin) back to Kazimir Malevich’s Suprematist paintings, but the connection constructed between the Americans and Malevich often seems overly reliant on visual tropes rather than […]
Month: April 2011
Abstract Friday in Bushwick and the Bronx
Tisch Abelow, Untitled (very tizdayle), 2009, gouache on paper, 68 x 82″ (Note: Images are from the artists’ websites and may not be in the show.) Martin Bromirski Saira McLaren, “blue mountains,” watercolour on canvas, 48 x 36, 2010 Sheldon Sean Moyer, Untitled (alphapbet #1), 2010, acrylic on panel, 24″ […]
Greetings from Nudashank and the Transmodern Festival
Contributed by Sharon Butler / I recently received a note from Seth Adelsberger and Alex Ebstein at Nudashank, an independent artist-run space in Baltimore, about their new exhibition, “The Shape Of Things To Come.” The show features abstract, sculptural paintings and objects by Brooklyn-based artists Stacy Fisher, Tracy Thomason and […]
Studio update: Recent interview at Studio Critical
I haven’t done a studio update in a while, so here’s an excerpt from a recent interview at Studio Critical, a new painting blog based in Madrid, in which I tried to articulate some of my thoughts about painting, irresoluteness and impersonating a modernist. Studio at the Elizabeth Foundation. SC: […]
Elisabeth Condon: Walking in her own landscape
Elisabeth Condon’s exhibition at Lesley Heller reveals a painter in the prime of her painting life. Condon’s colorful, trippy paintings exude the confidence and energy of a seasoned artist who knows how to unfurl an image with both abandon and control. Exploded paint pours determine the initial compositions, then she […]
Small pictures from Jimbo Blachly and Workroom G
Jimbo Blachly, “Pyre,” 2009, oil on canvas, 6� x 8.� Photography by Etienne Frossard Time Out New York selected “Lanquidity,” Jimbo Blachly’s show at Winkleman as the Critic’s Pick for painting this week. Although Blachly shows regularly with Winkleman as part of the Chadwick Family collaboration with Lytle Shaw, this […]
Julie Green's Last Supper project
For the 2012 College Art Association Annual Conference in Los Angeles, I’m co-organizing ArtExchange, an open forum for sharing work that is free and open to the public. This year the exhibition will have it’s own web page with links to the artists’ websites. Participants, who must be members of […]
An afternoon at the New Britain Museum with Carol Padberg
Carol Padberg, “Ada Lovelace,” 2010, textiles and mixed media, 36″x36″ Hartford Art School professor Carol Padberg’s interactive quilts at the New Britain Museum continue her exploration of encoded abstraction. In this rich new series, Padberg uses layered colored papers, scraps of fabric, a sewing machine and paint to construct each […]
Twitter notes
Here are some recent items cut and pasted from the Two Coats Twitter Feed. For readers unfamiliar with Twitter, “RT” indicates the item has been repeated, or “retweeted,” from someone else’s Twitter feed. The “@” symbol indicates another Twitter user. Christopher Joy, Untitled, 2011, oil on canvas on wood, 3 […]
Rochelle Feinstein: “Painting isn�t enough for me, it really isn�t.”
Last week I stopped by On Stellar Rays to check out the excellent Rochelle Feinstein (not to be confused with Rachel Feinstein) show, comprised of 13 paintings defined by Feinstein as “The Estate of Rochelle F.” Also included in the exhibition is a series of 29 ink drawings that constitute […]