Month: March 2010

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Roberta Smith on painting today

 “Fellow” by Leidy Churchman. Courtesy Horton Gallery. Untitled by Jakub Julian Ziolkowski. Courtesy the artist and Hauser & Wirth. Detail of “Urban Grid, Riffs on the Grid” by Frederick Hayes. In the NY Times, Roberta Smith, writes a short essay on the state of contemporary painting in which she suggests […]

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Studio visit: Austin Thomas

Here are some images from a recent visit to Austin Thomas’s studio, where three-dimensional collages, text-based drawings, and handmade prints line the walls. Small-scale and composed of humble materials like graph paper, colored paper, and pencil, Thomas’s thought-provoking work exudes an understated anxiety tempered with wry humor. Working toward a […]

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Mark Grotjahn’s personal code

 Mark Grotjahn at Blum & Poe, installation view. Mark Grotjahn, “Untitled (Face R. Stripped 776),” 2008, oil on cardboard mounted on linen, 60-1 /2 x 50-1/4″ Mark Grotjahn, “Untitled (Red Yellow and Blue Face 821),” 2009, oil on cardboard mounted on linen, 95-1/4 x 72-3/4″ In the LA Weekly Christopher […]

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NY Times Art in Review: Paschke, Hafif

  “Ed Paschke,” curated by his former studio assistant Jeff Koons. Gagosian Gallery, New York, NY. Through April 24. Ken Johnson reports: Imagine a phosphorescent underground peopled by pimps, strippers, hustlers, wrestlers, fetishists and other lavishly accessorized miscreants from the lower depths of American society. Though clearly derived from photographic […]

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Lucian Freud: Topless

Lucian Freud, working at night. Courtesy Centre George Pompidou Lucian Freud: L’Atelier at the Centre George Pompidou is based on the theme of the painter’s studio, which curator C�cile Debray posits as the crucial one for his body of work, and comprises some 50 large paintings produced from the 1940s […]

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Julie Mehretu’s oceanic sweep

Installing Julie Mehretu’s mural at Goldman Sachs via Art21 on Vimeo. In the New Yorker this week Calvin Tompkins profiles Julie Mehretu. “Eighty feet long by twenty-three feet high, Julie Mehretu�s ‘Mural’ dominates the entrance lobby of Goldman Sachs�s new steel-and-glass office building in lower Manhattan. Hundreds of precisely defined […]