Joy Feasley and Clare Rojas at the Locks Gallery; Tim McFarlane at Bridgette Mayer Gallery. Read more.
Award-winning NYC blogazine, primarily about painting
Sunday, February 28, 2021
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Andrew Zarou’s particular beat
Andrew Zarou, under the rhodondendron 2021, flashe on unprimed linen, 16 x 12 inches
Contributed by Ben Pritchard / Andrew Zarou’s compelling exhibition at The Painting Center is resonant of the ...
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Two Coats Selected Gallery Guide: February 2021
Microscope: Yasue Maetake, Transmutations, installation view
This month Two Coats of Paint is unveiling a site redesign (big thanks to Heather Bause Rubinstein for the encouragement and technical support), which includes ...
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Medrie MacPhee, David Humphrey, and the power of recognition
Medrie MacPhee (back wall) and David Humphrey (front wall) at the New York Studio School. Installation view.
Contributed by Jonathan Stevenson / In the 1940s, Philip Guston noted that the ...
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Tula x Yuko Nishikawa: Designing life within a shell
Contributed by Emma Stolarski / Plant life is one of nature’s masterpieces. Botanical beauty, medicine, and ecological systems are integrated in every part of our lives, whether we think about ...
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Martin Kline: Tempered by discipline
Martin Kline, Back From Venice (II), 2019, encaustic and oil on panel, 42 x 42 x 2 3/4 inches
Contributed by Sharon Butler / Martin Kline’s meticulous and thoughtful abstractions, on ...
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The “whorish porous” in the work of Angela Dufresne
Angela Dufresne, installation view at Yossi Milo
Contributed by Andrew Woolbright / Angela Dufresne’s dual shows at Yossi Milo Gallery and M+B Los Angeles provide an opportunity to assess the full ...
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Scott Daniel Ellison: “Every artist is in some way self-taught”
Scott Daniel Ellison's images of flora and fauna are suffused with personhood--trees wave bony limbs, bats have human faces, and animals wear jewelry. Working at a small scale and focusing ...
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Spencer Lewis’s mesmerizing formlessness
Spencer Lewis: Six Jutes (2) installation at Harper’s Chelsea. (All photos courtesy of Harper’s Chelsea).
Contributed by Patrick Neal / Spencer Lewis’s large, colorful, gestural abstractions, on view at Harper’s Chelsea ...
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Nicole Eisenman and the triumph of painting
Contributed by Jonathan Stevenson / Just about every piece in Nicole Eisenman’s nobly minatory exhibition “Al-ugh-ories” at the New Museum, up through June 26, pulses with aesthetic energy, turbocharged by ...
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Art and Film: Painter-Spy in Bridge of Spies
Contributed by Jonathan Stevenson / Bridge of Spies begins and ends with a painting. Steven Spielberg’s latest film is a penetrating and affecting consideration of the Cold War, based on ...