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Andrew Zarou’s particular beat

Contributed by Ben Pritchard / Andrew Zarou’s compelling exhibition at The Painting Center is resonant of the comprehensive order that one might covet in a time of unusual disarray, isolation, and uncertainty, when basic aims like survival and sharing have become politicized. Order, in this sense, is not strict thinking […]

Solo Shows

Martin Kline: Tempered by discipline

Contributed by Sharon Butler / Martin Kline’s meticulous and thoughtful abstractions, on view at Heather Gaudio Fine Art, are deceptively simple. At first glance, they might appear merely technically accomplished and visually striking. Drill down a little, though, and they recall the action of Jackson Pollock’s drip paintings and the […]

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Two Coats Selected Gallery Guide: February 2021

This month Two Coats of Paint is unveiling a site redesign (big thanks to Heather Bause Rubinstein for the encouragement and technical support), which includes a fantastic new feature, the Two Coats of Paint NEWSroll. The ‘roll combines the newsiness of Twitter, the utility of the old RSS readers like […]

Solo Shows

Stanley Rosen: Slabs and coils, scallops and disks

Contributed by Rachel Youens / Stanley Rosen came of age as a sculptor during the 1960s and 1970s, when ceramicists and sculptors were challenging the hegemonic hold that painting had in the art world as the medium of heroic significance. His sculptures are made at a modest scale that, somewhat […]

Solo Shows

Spencer Lewis’s mesmerizing formlessness

Contributed by Patrick Neal / Spencer Lewis’s large, colorful, gestural abstractions, on view at Harper’s Chelsea, are deliciously physical and boldly display the process of their own creation. Visible from the street and hung close together, the paintings get right in your face as you enter the gallery. Gallerist Harper […]

Solo Shows

Mira Schor: Insistently personal

Contributed by Sharon Butler / Mira Schor’s galvanizingly insistent new paintings continue her exploration of self and the disembodied mind. Many painters traffic in purposeful ambiguity, using metaphor and abstraction to leave meaning-making for the viewer. Schor’s work, however, is not mysterious or enigmatic: her intention is to tell us […]

Solo Shows

Jill Nathanson’s primal synesthesia

Contributed by Kim Uchiyama / Intriguingly titled “Light Phrase,” Jill Nathanson’s current exhibition at Berry Campbell Gallery features luminous planes of crystalline color meeting and overlapping in harmony. The color is sensual, the light carefully calibrated, the edges thoughtfully considered. These new paintings, many larger in scale than her previous […]