Sue Havens’ history – her searching and sometimes painful life experiences and her adventurousness in the studio – are distinctly encoded, like a unique double helix of molecular structure, in the complex work she has produced this past year.
Latest Posts
Carl D’Alvia’s wry subversion
Carl D’Alvia’s show at Hesse Flatow, “Sometimes Sculpture Deserves a Break,” is a playful, irony-laden take on the hyper-masculine minimalist sculpture canon.
Cézanne’s pursuit
If there’s one word that sums up Paul Cézanne (1839-1906), the subject of this massive MoMA exhibition, it’s “struggle.”
Invitation to Pause
“Pause” is a restful, thoughtful summer group show featuring Bill Albertini, Stephen Bron, Eric Brown, Sharon Butler, Peter Krashes, Sylvia Plimack Mangold, Michelle Vaughan, and Andrew Witkin.
Two Coats Selected Gallery Guide: June 2021
A painting-centric guide to art exhibitions in New York City, featuring Wendy White at Denny Dimin, Josh Abelow’s take on abstraction at Magenta Plains, and Alyssa Fanning at Platform Project Space.
Ashley Garrett’s dynamic pastoral
In her new paintings on view at Gold/Scopophilia, Ashley Garrett explores the concept of the meadow: a place of respite, slowed time, and stable form seen through a pinhole into a complete world.
Adam Simon and Anton Stankowski: Innovation, replication, mutation
“AS/AS: Anton Stankowski / Adam Simon” at Osmos Address explores the convergent interests of two artists, separated by 50 years, coming from two different fields, who had never met and whose work was unbeknownst to one another,.
Closed-Eye Hallucinations with Jennifer Coates
Paul Whiting talked with Jennifer Coates about her experience while stricken with Covid, her strategy for continuing to work while stuck in bed, and how she developed a series of drawings using digital and traditional materials.
Godward: Toward a distant target
Contributed by Jonathan Stevenson / “Sharp Edges,” Ben Godward’s mischievously minatory exhibition of sculpture at Slag Gallery, which owner and curator Irina Protopopescu has returned to Chelsea from Bushwick, combines his signature energy and a new urgency. Joyfully petulant color imparted a sidelong élan to his early urethane resin forms […]
Cameron Rowland: Truth that lies between object and text
Contributed by Laurie Fendrich / If you’re looking for pure beauty, or merely a tiny aesthetic tingle, Cameron Rowland’s exhibition is not for you. Contemplating his art in an aesthetic sense is as misguided as looking for cooking tips in a boxing match. Granted, the objects he selects for his […]
