Latest Posts

Solo Shows

Stacy Lynn Waddell: Moving backwards to jump ahead

Contributed by Jonathan Goodman / In “Mettle,” Stacy Lynn Waddell’s expansive show at Candice Madey, the artist embraces different cultures throughout the world: Malian life in the 1960s; nineteenth-century American painting reflecting burgeoning capitalism; and seventeenth-century Dutch flower painting.

Solo Shows

Karin Davie’s new sense of self

Contributed by Sharon Butler/ At Chart, Karin Davie, in her first NYC show since 2007, has moved with elegant decisiveness from pop-inflected stripes, slapdash and dripping, to wide, sine-wave brushstrokes that gently oscillate in glowing geometric formations.

Solo Shows

Caroline Kent: A set of symbols

Contributed by Jonathan Goodman / Caroline Kent, a painter based in Chicago, is having her first show at Casey Kaplan. She makes schematic abstract paintings, which have aspects of doubled, mirror-like imagery. An underlying fiction of her art is the presence of twins, Victoria and Veronica, who speak to each other and to the painter’s audience via the works she creates. Kent’s sign-like abstraction involves a set of symbols whose meaning depends not on any explicitly prescribed content but rather on their visual orientation in terms of form and placement.

Gallery shows

The new theatrical space of Amy Lincoln

Contributed by Jason Andrew / Amy Lincoln’s soaring trajectory has locked in the natural world, the phenomena within it, and the epic world of myth. Ten new paintings now on view at Sperone Westwater embrace these pervasive elements while exploring a bold new theatrical space.

Art Fairs

Selected paintings from SPRING/BREAK NYC 2021

Contributed by Fay Sanders and Bob Szantyr / This year much of the work at Spring/Break is engaged with our tenuous grasp on truth, along with themes of Catholic iconography, shame and marginalization, Medieval craft, and speculative and mythological imagery that is readily framed as heretical in a puritanical, Western sense.

Fiction

Fiction: The Real, the Fake, and the Ugly

Contributed by Laurie Fendrich / What a mess. And today was doomsday. Eliza Netsua couldn’t get back to sleep, so she dragged herself out of bed at five a.m. Her loft, long ago a sewing sweatshop renovated only insofar as the splintery floors had been sanded and the walls slapped with multiple coats of white paint, was already hot and stuffy. A full-on August heat wave in New York. The gallery was closed for the month and, moreover, it was Monday, a day even she, the assistant director, wouldn’t ordinarily be working….

Artist's Notebook

The postman’s palace in Hauterives

Contributed by Ken Buhler / Imagine the most elaborate, fanciful and bizarre fairy-tale like sand castle possible. Ferdinand Cheval’s masterpiece, Le Palais Idéal, is teeming with, octopi, dragons, ostriches, flamingos, lions, elephants, deer, plants, gods, fairies, giants, and historical figures all interwoven with architectural forms whose references include Hindu, Buddhist, and Egyptian temples, Islamic mosques, and Swiss chalets.