Images: Beth Dary’s studio

Contributed by Sharon Butler / Brooklyn artist Beth Dary thinks about the individual bubbles in which we all live. She was settled in a new house in New Orleans when Hurricane Katrina hit, and her home, which she had been thinking of turning into a residency program, experienced major flooding and mold damage. She and her family evacuated to New York … read more… “Images: Beth Dary’s studio”

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Gestures of grace: Carol Saft at Lesley Heller

Contributed by Julia Couzens / Carol Saft’s plainspoken exhibition, “Fallen Men,“ in the project space at Lesley Heller, is a suite of small-scaled, wall-based bronze figures engaged in gestures of vulnerability and support.  They call to mind the bronze sculpture of Bauhaus artist Gerhard Marcks and share his ethic of directness and material honesty.

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Nancy Baker: Delicate construction

Contributed by Sharon Arnold / In her solo show “No Regrets,” Brooklyn-based mixed-media installation artist Nancy Baker winningly advances her trademark style of accretion, integrating text, found objects, glitter, paint, and ink into large-scale installation and wall sculpture.  When you walk into the light-filled space in Bushwick’s Odetta Gallery, your eye is immediately drawn to … read more… “Nancy Baker: Delicate construction”

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Report from Berlin: Judith Hopf’s idiosyncratic vision

Contributed by Loren Britton / Berlin-based artist Judith Hopf, known for idiosyncratic combinations, is invested in post-painting practices coming out of Fluxus conversations between George Brecht and Allan Kaprow. In her sculpture show “Judith Hopf: Stepping Stairs” at the KW Institute for Contemporary Art in Berlin, she moves from sculpture to exhibition furniture and back, the transformed everyday materials in the exhibition … read more… “Report from Berlin: Judith Hopf’s idiosyncratic vision”

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Report from Berlin: Anna Uddenberg at Kraupa-Tuskany Zeidler

Contributed by Loren Britton / Anna Uddenberg’s “Sante Par Aqua” (Health Through Water) comprises objects that propose spaces adjacent to furniture that bodies might occupy. Shapes are created, stacked like a life-size textural cubist painting. Rounded edges and neon floor illuminations elevate the sculptures into hybrid objects – car seat (for adult and child), shag rug, illuminated i-phone glow … read more… “Report from Berlin: Anna Uddenberg at Kraupa-Tuskany Zeidler”

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