Ruth Root: Syntax for a jangled world

Contributed by Jason Andrew / In an exhibition of ten new paintings at the Carnegie Museum in Pittsburgh, Ruth Root extends her definition of the medium and her own personal language. Since the late 1990s, through a variety of  “painting” materials, Root has charted an independent course through a Formalist-sanctioned medium, often rigidly classified by shape, color, and … read more… “Ruth Root: Syntax for a jangled world”

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Ruth Root’s deep integration

Guest contributor Jonathan Stevenson / Ruth Root’s seven striking shaped canvases, on display at Andrew Kreps Gallery in Chelsea and all untitled, might recall Elizabeth Murray’s transcendent household paintings, Hermine Ford’s erudite explorations of nature and artifice, or, more distantly, Kelly and Stella’s hard-edge Minimalist works. Indeed, Root has freely and openly acknowledged her antecedents. … read more… “Ruth Root’s deep integration”

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Bold and brainy: John Zinsser and Ruth Root

In the NY Sun, painter/critic Stephen Maine usually provides an entertainingly illuminating read. This week, Maine considers abstract painters Ruth Root and John Zinsser. “Creative maturation is a tricky business. While no one talks about ‘developing a style’ anymore, many artists do look to refine their approach to core material and intellectual concerns, to take … read more… “Bold and brainy: John Zinsser and Ruth Root”

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