Art and Film: Noah Baumbach’s New York state of mind

Contributed by Jonathan Stevenson / The Meyerowitz Stories (New and Selected) is arguably Noah Baumbach’s best movie since The Squid and the Whale, and seems sure to advance his putative destiny of becoming Woody Allen’s successor as the ranking cinematic chronicler of the artily exasperating New York state of mind. Like the earlier movie, the new one … read more… “Art and Film: Noah Baumbach’s New York state of mind”

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Leslie Wayne: Beyond painterly

Contributed by Sharon Butler and Jonathan Stevenson / Leslie Wayne, in transcendently clever new work on view at Jack Shainman Gallery through October 21, has encapsulated a significant strand of art history. Renaissance artist Leon Battista Alberti is often credited with the observation that a painting is a window through which to see the world. That … read more… “Leslie Wayne: Beyond painterly”

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Art and Film: Aronofsky’s Bosch-esque mother!

Contributed by Jonathan Stevenson / Albert Oehlen is perhaps foremost among visual artists seeking to capture the jangled frenzy of the Internet Age, having done so in virtuosic paintings that conveyed its sometimes frightening but often funny digital visitations into daily life and the everyday psyche. When his remarkable exhibition “Home and Garden” appeared at … read more… “Art and Film: Aronofsky’s Bosch-esque mother!”

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Art and film: Kogonada and Modernism in “Columbus”

Contributed by Jonathan Stevenson / Columbus is a serenely penetrating postmodern film, acted with realistic understatement and set in the eponymous city in Indiana – coincidentally if perhaps ironically, Mike Pence’s home town. Directed by the young South Korean filmmaker Kogonada (remarkably, it’s his first feature), the movie involves the convergence of two people from … read more… “Art and film: Kogonada and Modernism in “Columbus””

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Art and film: “Detroit” and Faulkner’s truth

Contributed by Jonathan Stevenson / William Faulkner famously said, “The past is never dead. It’s not even past.” That is a key truth about one of his central concerns – race in America. Kathryn Bigelow, in her harrowingly compelling film Detroit, uses that truth as a kind of nightstick with which to beat the audience … read more… “Art and film: “Detroit” and Faulkner’s truth”

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Film: A strategic retreat’s smirk of defiance in DUNKIRK

Contributed by Jonathan Stevenson /In his paradoxically granular war epic Dunkirk, Christopher Nolan assumes viewers know that the British Army’s 1940 strategic retreat from the eponymous French coastal town was crucial to Allied victory in World War II, minimizing narrative exposition and personal back-story and thrusting the audience straight into onslaught, survival, and endeavor. Nolan employs three … read more… “Film: A strategic retreat’s smirk of defiance in DUNKIRK”

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Adirondack idyll: Jay Invitational of Clay, Rockwell Kent, Ausable Chasm & more

Contributed by Sharon Butler and Jonathan Stevenson / Some artists go upstate to get away from the art world in the summer, and others gather an art world around them wherever they go. We went up to the Adirondacks recently to visit the summer outpost of Norte Maar for Collaborative Projects in the Arts in Jay, New York, where founders Jason … read more… “Adirondack idyll: Jay Invitational of Clay, Rockwell Kent, Ausable Chasm & more”

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Art and Film: Ghost as witness

Contributed by Jonathan Stevenson / George Eliot said, wisely, that “our dead are never dead to us, until we have forgotten them.” For the great and infamous, it’s a prescription for immortality. As to more ordinary people, the sentiment can be cloyingly anodyne around the moment of a loved one’s death – it was viciously … read more… “Art and Film: Ghost as witness”

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Art and Film: Not so simple folk (art)

Contributed by Jonathan Stevenson / According to Aisling Walsh’s irrepressibly winning Maudie (2016), Maud Dowley, plagued by juvenile rheumatoid arthritis, was through no fault of her own a high-maintenance sibling whom an impatient older brother deposited with a mean aunt. Maud found existential solutions in an untutored talent for painting outdoor scenes and an essentially … read more… “Art and Film: Not so simple folk (art)”

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Art and Film: The life and death of a cinephilic boomtown

Contributed by Jonathan Stevenson / A somewhat film-nerdy set of historical facts gave rise to found-footage maven Bill Morrison’s extraordinarily artful and expansive documentary Dawson City: Frozen Time. Dawson City, Yukon Territory, was the Klondike Gold Rush’s quintessential boomtown, over the course of two years swelling in population from 500 to 40,000 in 1898. Within … read more… “Art and Film: The life and death of a cinephilic boomtown”

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