Art and Film: Joanna Hogg’s sublime deliberation

Contributed by Jonathan Stevenson / In the autobiographical film The Souvenir, writer-director Joanna Hogg’s fourth and latest feature and a gemlike crystallization of her seamless method, she uses Jean-Honoré Franogard’s eighteenth-century canvas of the same title to set the terms of the budding relationship between Julie, the film’s ingenuous protagonist, and the older Anthony, a … read more… “Art and Film: Joanna Hogg’s sublime deliberation”

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