The Abstract Zeitgeist in Storrs

Contributed by Stephen Maine/ On view at the University of Connecticut’s Contemporary Art Galleries through November 29 is “Constructed,” a lively exhibition of seventeen works by five distinguished midcareer painters whose handling of color—as a kind of visual armature—is inseparable from structure. The show’s curator, Museum Director Barry Rosenberg, calls on Beverly Fishman, Marilyn Lerner, … read more… “The Abstract Zeitgeist in Storrs”

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Gary Petersen: The span of attention

Contributed by Riad Miah / “Just Hold On,” the title of Gary Petersen’s second show at McKenzie Fine Arts on the Lower East Side, fits the arresting energy of his work, his playful palette, and the rich provenance of his geometric abstractions. Perhaps he is referring to the moment a person in mid-conversation decides to pause … read more… “Gary Petersen: The span of attention”

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Catalogue essay: Paul Pieroni on Peter Halley’s 1980s painting

The aim of this text, which was originally published as “Facts are Useless in Emergencies” in Peter Halley: Paintings of the 1980s The Catalogue Raisonne, is to provide an in-depth analysis of Peter Halley’s painting as it emerged during the 1980s. I engage Halley’s theoretical writing—which extends his visual language—while also considering the critical reception … read more… “Catalogue essay: Paul Pieroni on Peter Halley’s 1980s painting”

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